Aunt Rachel: A Rustic Sentimental ComedyMurray, David Christie
General
Aunt Rachel: A Rustic Sentimental Comedy
Murray, David Christie
Fiction
event and the misery and life-long loneliness entailed by the other.
Every time his eager fancy slipped the note into Ruth's fingers his
heart leaped and his hands went hot and moist, but if ever the screw of
courage gave a backward turn the thought of Ferdinand twisted it back
to the sticking-point again, and he was all resolve once more. The
experience of ages has declared that there is no better spur for
the halting paces of a laggard lover than that which is supplied by
jealousy. The simplest coquette that ever tortured hearts in a hay-field
is aware of the fact, and needs no appeal to the experience of ages to
support her.
Reuben pushed the green gate aside, and entering upon the lawn, found
Fuller in the act of carrying the table to its customary place. He had
been so free of the house, and had been for years so accustomed to enter
it and leave it at his will, that there was nothing in the world but his
own restraining sense of shyness to prevent him from walking past his
host with the merest salutation and fulfilling his own purpose then
and there. But the trouble was that to his own disturbed feeling Fuller
would infallibly have guessed his purpose, and either of the other
members of the quartette arriving, or any chance visitor strolling in,
would have known in a moment that he could have no other reason for
entering the house than to ask Ruth's hand in marriage. So he stood
somewhat awkwardly by the table, while Fuller re-entered the house and,
after a little pause, returned with a pile of music.
“This here's one of Ezra's books, I reckon,” said the elder, singling
one volume from the pile. “It's the one you browt here the day he gi'en
you his libery.”
“Ah!” said Reuben, “Manzini? That was the last music he opened for his
own playing, so he told me.” He fluttered the leaves, glancing towards
the house meanwhile, but seeing nothing of his goddess. Fuller contented
himself with a mere grunt in answer to Reuben's statement, and rolled
off into the house once more, returning this time with his 'cello. He
propped the instrument tenderly against the table, and, seating himself
near it, began to arrange the music. Reuben still stood awkwardly
fingering the leaves of Manzini's duets, when Ruth appeared at the house
door. He had made but a step towards her, and had not even made a step
in his mind towards reading the half-shy, half-appealing aspect she
wore, when the prim figure of Aunt Rachel appeared from behind her, and
the old woman, with defiance expressed in every line and gesture, laid
her mit-tened hand on the girl's arm and advanced by her side. Reuben
stood arrested, and made a bow which he felt to be altogether awkward.
Ruth's brown eyes drooped, and she blushed, but she found courage a
second or two later for a glance of appeal which Reuben did not see. He
offered chairs to the old woman and the young one as they came near him,
but Rachel, with a stony little nod, walked by, taking her niece with
her.
Public-domain text, read in full here on John Shaqi.
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