Auriol; or, The Elixir of LifeAinsworth, William Harrison
Science
Auriol; or, The Elixir of Life
Ainsworth, William Harrison
Detective and mystery stories; Gothic fiction; Horror tales; Paranormal fiction
Ebba continued to pray fervently for her own deliverance, and for that
of Auriol. In the midst of her supplications she was aroused by strains
of music of the most exquisite sweetness, proceeding apparently from
behind the curtain, and while listening to these sounds she was startled
by a deafening crash as if a large gong had been stricken. The cover of
the lamp was then slowly raised, and the burners blazed forth as before,
while from the two vases in front of the curtain arose clouds of
incense, filling the chamber with stupefying fragrance.
Again the gong was stricken, and Ebba looked round towards the curtain.
Above each vase towered a gigantic figure, wrapped in a long black
cloak, the lower part of which was concealed by the thick vapour. Hoods,
like the cowls of monks, were drawn over the heads of these grim and
motionless figures; mufflers enveloped their chins, and they wore masks,
from the holes of which gleamed eyes of unearthly brightness. Their
hands were crossed upon their breasts. Between them squatted two other
spectral forms, similarly cloaked, hooded, and masked, with their
gleaming eyes fixed upon her, and their skinny fingers pointed
derisively at her.
Behind the curtain was placed a strong light, which showed a wide
staircase of black marble, leading to some upper chamber, and at the
same time threw the reflection of a gigantic figure upon the drapery,
while a hand, the finger of which pointed towards her, was thrust from
an opening between its folds.
Forcibly averting her gaze, Ebba covered her eyes with her hands, but
looking up again after a brief space, beheld an ebon door at the side
revolve upon its hinges, and give entrance to three female figures,
robed in black, hooded and veiled, and having their hands folded, in a
melancholy manner, across their breasts. Slowly and noiselessly
advancing, they halted within a few paces of her.
"Who and what are ye?" she cried, wild with terror.
"The victims of Auriol!" replied the figure on the right. "As we are,
such will you be ere long."
"What crime have you committed?" demanded Ebba.
"We have loved him," replied the second figure.
[Illustration: The Chamber of Mystery.]
"Is that a crime?" cried Ebba. "If so, I am equally culpable with you."
"You will share our doom," replied the third figure.
"Heaven have mercy upon me!" exclaimed the agonised girl, dropping upon
her knees.
At this moment a terrible voice from behind the curtain exclaimed,
"Sign, or Auriol is lost for ever."
"I cannot yield my soul, even to save him," cried Ebba distractedly.
"Witness his chastisement, then," cried the voice.
And as the words were uttered, a side door was opened on the opposite
side, and Auriol was dragged forth from it by two masked personages, who
looked like familiars of the Inquisition.
"Do not yield to the demands of this fiend, Ebba!" cried Auriol, gazing
at her distractedly.
"Will you save him before he is cast, living, into the tomb?" cried the
voice.
Public-domain text, read in full here on John Shaqi.
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