Apparitions -- Fiction; Aunts -- Fiction; People with disabilities -- Fiction; Young men -- Fiction
gesticulations in his walking dress. The fact was that the man himself
was perfectly unrecognisable, and Austin was mightily impressed by
what was really a signal triumph in the art of making up.
The play went on, and Sardanapalus showed no signs of moral
improvement. In fact, it soon became evident that his code of ethics
was deplorable, and Austin could only console himself with the
thought that the real Mr Buskin was, no doubt, a most virtuous and
respectable person who never gave Mrs Buskin--if there was one--any
grounds for jealousy. Then the first act came to an end, the lights
went up, and a subdued buzz of conversation broke out all over the
theatre. The second act was even more exciting, as Sardanapalus,
having previously confessed himself unable to go on multiplying
empires, was forced to interfere in a scuffle between his
brother-in-law and Arbaces--who was by way of being a traitor; but the
most sensational scene of all was the banquet in act the third, of
which so glowing an account had been given to Austin by the great
tragedian himself. That, indeed, was something to remember.
"Guests, to my pledge!
Down on your knees, and drink a measure to
The safety of the King--the monarch, say I?
The god Sardanapalus! mightier than
His father Baal, the god Sardanapalus!"
[_Thunder. Confusion._]
Ah, that was thrilling, if you like, in spite of the halting rhythm.
And yet, even at that supreme moment, the vision of the umbrella and
the rather shabby hat would crop up again, and Austin didn't quite
know whether to let himself be thrilled or to lean back and roar. The
conspiracy burst out a few minutes afterwards, and then there ensued
a most terrifying and portentous battle, rioters and loyalists
furiously attempting to kill each other by the singular expedient of
clattering their swords together so as to make as much noise as
possible, and then passing them under their antagonists' armpits, till
the stage was heaped with corpses; and all this bloody work entirely
irrespective of the valuable glass and china on the supper-table, and
the costly hearthrugs strewn about the floor. Even Sardanapalus,
having first looked in the glass to make sure that his helmet was
straight, performed prodigies of valour, and the curtain descended to
his insatiable shouting for fresh weapons and a torrent of tumultuous
applause from the gallery.
Public-domain text, read in full here on John Shaqi.
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