Authors at home: Personal and biographical sketches of well-known American writers
General
Authors at home: Personal and biographical sketches of well-known American writers
Authors, American -- Homes and haunts -- United States; Literary landmarks -- United States; United States -- Intellectual life
Joel Chandler Harris is at home in a neat cottage of the familiar
Southern type, which nestles near the bosom of a grove of sweet gum
and pine trees in the little village of West Point, about three miles
from the heart of the “Southern Chicago,” as Georgians delight to call
Atlanta. In the grove a mocking-bird family sings. Around the house are
a few acres of ground, which are carefully cultivated. In one corner
graze a group of beautiful Minerva-eyed Jerseys. At one side of the
house hives of bees are placed near a flower garden sloping down to the
street, which passes in front of the house several rods distant. At the
foot of the road is a bubbling mineral spring, whose sparkling water
supplies the needs of the household. A superb English mastiff eyes with
dignified glance the casual visitor whose coming is apt to be announced
by the bark of two of the finest dogs in the country, one a bulldog,
the other a white English bull-terrier. Mr. Harris’s neighbors are
few, but one who is his closest friend calls for mention. It is Mr.
Evan P. Howell, whose manor is across the way. He is a member of a
distinguished Georgia family, whose name is known at the North through
Howell Cobb, a former Secretary of the Treasury. Mr. Howell himself has
become known to the general public as having declined the Manchester
Consulate to retain his present position as chief editor and owner of
the Atlanta _Constitution_, in whose pages, by Mr. Howell’s persuasion,
Uncle Remus made his first appearance. The interior of the cottage is
simple and unassuming. Bric-à-brac and trumpery “articles of bigotry
and virtue” are absent. The places they generally occupy are taken up
with wide windows and generous hearths. Of literary litter there is
none. There are few books, but they have been read and re-read, and
they are the best of books. The house is not a library, a museum, nor
an art-gallery, but it is evidently a home in which children take the
place of inanimate objects of devotion.
Public-domain text, read in full here on John Shaqi.
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