Hearing so circumstantial a proof of her brother's death, Electra is
plunged into the depths of misery.
But soon Chrysothemis returns in a state of high excitement. She has
found a lock of Orestes' hair and some offerings at the tomb. Electra
quickly informs her that her elation is groundless, for their brother
is dead; she suggests that they two should strike the murderers, but
Chrysothemis recoils in horror from the plot. Then Orestes enters with
a casket in his hand; this he gives to Electra, saying it contains the
mortal remains of the dead prince. In utter hopelessness Electra takes
it and soliloquises over it. Seeing her misery, Orestes cannot refrain;
gently taking the casket from her he gradually reveals himself. The
tutor enters and recalls him to their immediate business. Electra asks
who the stranger is and learns that it is the very man to whom she
gave the infant boy her brother. The three advance to the palace which
Orestes enters to dispatch his mother, Electra bidding him smite with
double force, wishing only that Aegisthus were with her mother.
The end of Aegisthus himself is contrived with Sophoclean art. He comes
in hurriedly to find the two strangers who have proof of Orestes' death.
Electra tells him they are in the palace; they have not only told her of
the dead Orestes, but have shown him to her; Aegisthus himself can see
the unenviable sight; he can rejoice at it, if there is any joy in it.
Exulting, he sings a note of triumph at the removal of his fears and
threatens to chastise all who try henceforth to thwart his will. He
dashes open the door, and there sees the Queen lying dead. Orestes bids
him enter the palace, to be slain on the very spot where his father was
murdered.
Public-domain text, read in full here on John Shaqi.
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