Now, if we would prevent utter disunion in society, something like a
compromise must be effected, and to the ladies belongs the laboring
oar. I use a metaphor which implies that they must do something they
are little accustomed to do; they must make some concession. We have
done all we could do, and I will make one statement which will
convince the world that we bachelors are not obstinate without good
reason. I confess (though it is not without some slight degree of
shame that I own it), that I have, during the last week, consumed the
greater part of every day in ineffectual study, trying to perfect
myself in the terminology of the science of Fashion. I have listened
attentively, and have gathered into a retentive memory sundry
technicalities; but in vain have I submitted these terms of a strange
dialect to the strictest etymological research. In vain have I
conversed upon this subject with the most intelligent dry-goods
dealers. In learning the few idiomatic phrases they employ, I have
experienced only the satisfaction which young students in Greek
literature feel, when they have, with infinite labor, mastered the
_alphabet_ of that rich and copious language.
But there is hope. Experience tells us, this state of things cannot
last for ever. A few weeks, and our sufferings shall be rewarded, our
forbearance repaid. Then shall gay streamers, pendent from rejuvenated
bonnets, float, as of yore, across our promenades, and on the
shoulders of Earth's fairest daughters the variegated mantle be again
displayed. The streets, now deserted by the fair, will ere long
glitter with the brilliant throng, and our sidewalks be swept once
more by the gracefully flowing silk. Taper fingers shall
condescendingly be extended to us, the smile of beauty beam on us, and
witty speech banish our resentful remembrance of incomprehensible
jargon.
TO JENNY LIND,
ON HEARING HER SING THE ARIA "ON MIGHTY PENS," FROM "THE CREATION."
When Haydn first conceived that air divine,
The voice that thrilled his inward ear was thine.
The Lark, that even now to heaven's gate springs,
And near the sky her earth-born carol sings,
Poured on his ear a higher, purer note,
And heavenly rapture seemed to swell her throat.
To him, from groves of Paradise, the Dove
Breathed Eden's innocence and Eden's love;
And seraph-taught seemed the enchanting lay
The Nightingale poured forth at close of day;
For yet nor sin nor sorrow had its birth,
To touch, as now, the sweetest sounds of earth.
Yes! as upon his inner sense was borne
The melody of that primeval morn,
And all his soul was music,--O, to him
The voice of Nature was an angel's hymn!
But was there, _then_, one human voice that brought
Unto his outward ear his own rapt thought,
In tones, interpreting in worthy guise
The varied notes of Eden's melodies?--
O, happier we! for unto us 'tis given
To hear, through thee, the strains he caught from heaven.
December 1, 1851.
MY HERBARIUM.
Public-domain text, read in full here on John Shaqi.
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