Autumnal leaves: tales and sketches in prose and rhyme — John Shaqi
Autumnal leaves: tales and sketches in prose and rhymeChild, Lydia Maria
General
Autumnal leaves: tales and sketches in prose and rhyme
Child, Lydia Maria
American essays -- 19th century; American fiction -- 19th century; Short stories, American
At the bend of a pleasant road winding under the shade of a large elm,
stood a small school-house. It was a humble building; and the little
belfry on the top seemed hardly large enough for the motions of the
cow-bell suspended there. But it was a picturesque feature in the
landscape. The elm drooped over it with uncommon gracefulness, and
almost touched the belfry with its light foliage. The weather-beaten,
moss-grown shingles were a relief to the eye of the traveller, weary of
prim staring white houses. Moreover, a human soul had inscribed on the
little place a pastoral poem in vines and flowers. A white Rose bush
covered half one side, and carried its offering of blossoms up to the
little bell. Cypress vines were trained to meet over the door, in a
Gothic arch, surmounted by a cross. On the western side, the window was
shaded with a profusion of Morning Glories; and a great rock, that
jutted out into the road, was thickly strewn with Iceland moss, which in
the springtime covered it with a carpet of yellow stars.
It was at that season it was first seen by George Franklin, a young New
York lawyer, on a visit to the country. He walked slowly past, gazing at
the noble elm slightly waving its young foliage to a gentle breeze. Just
then, out poured a flock of children, of various ages. Jumping and
laughing, they joined hands and formed a circle round the elm. A clear
voice was heard within the school-house, singing a lively time, while
measured strokes on some instrument of tin marked the time. The little
band whirled round the tree, stepping to the music with the rude grace
of childhood and joy. After ten or fifteen minutes of this healthy
exercise, they stopped, apparently in obedience to some signal. Half of
them held their hands aloft and formed arches for the other half to jump
through. Then they described swift circles with their arms, and leaped
high in the air. Having gone through their simple code of gymnastics,
away they scampered, to seek pleasure after their own fashion, till
summoned to their books again. Some of them bowed and courtesied to the
traveller, as they passed; while others, with arms round each other’s
necks, went hopping along, first on one foot, then on the other, too
busy to do more than nod and smile, as they went by. Many of them wore
patched garments, but hands and faces were all clean. Some had a
stolid, animal look; but even these seemed to sun their cold nature in
the rays of beauty and freedom, which they found only at school. The
whole scene impressed the young man very vividly. He asked himself why
it could not be always thus, in the family, in the school, every where?
Why need man forever be a blot on Nature? Why must he be coarse and
squalid, and gross and heavy, while Nature is ever radiant with fresh
beauty, and joyful with her overplus of life? Then came saddening
thoughts how other influences of life, coarse parents, selfish
employers, and the hard struggle for daily bread, would overshadow the
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