Autumnal leaves: tales and sketches in prose and rhyme — John Shaqi
Autumnal leaves: tales and sketches in prose and rhymeChild, Lydia Maria
General
Autumnal leaves: tales and sketches in prose and rhyme
Child, Lydia Maria
American essays -- 19th century; American fiction -- 19th century; Short stories, American
genial influences of that pleasant school, which for a few months gilded
the lives of those little ones.
When he repassed the spot, some hours after, all was still, save the
occasional twittering of birds in the tree. It was sunset, and a bright
farewell gleam shone across the moss-carpet on the rock, and made the
little flowers in the garden smile. When he returned to the city, the
scene often rose before his mind as a lovely picture, and he longed for
the artist’s skill to re-produce it visibly in its rustic beauty. When
he again visited the country after midsummer, he remembered the little
old school-house, and one of his earliest excursions was a walk in that
direction. A profusion of crimson stars, and white stars, now peeped out
from the fringed foliage of the Cypress vines, and the little front
yard was one bed of blossoms. He leaned over the gate, and observed how
neatly every plant was trained, as if some loving hand tended them
carefully every day. He listened, but could hear no voices; and
curiosity impelled him to see how the little building looked within. He
lifted the latch, peeped in, and saw that the room was empty. The rude
benches and the white-washed walls were perfectly clean. The windows
were open on both sides, and the air was redolent with the sweet breath
of Mignonette. On the teacher’s desk was a small vase, of Grecian
pattern, containing a few flowers tastefully arranged. Some books lay
beside it, and one had an ivory folder between the leaves, as if
recently used. It was Bettine’s Letters to Günderode; and, where it
opened at the ivory folder, he read these lines, enclosed in pencil
marks; “All that I see done to children is unjust. Magnanimity,
confidence, free-will, are not given to the nourishment of their souls.
A slavish yoke is put upon them. The living impulse, full of buds, is
not esteemed. No outlet will they give for Nature to reach the light.
Rather must a net be woven, in which each mesh is a prejudice. Had not a
child a world within, where could he take refuge from the deluge of
folly that is poured over the budding meadow-carpet? Reverence have I
before the destiny of each child, shut up in so sweet a bud. One feels
reverence at touching a young bud, which the spring is swelling.”
Public-domain text, read in full here on John Shaqi.
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