Ave Roma Immortalis, Vol. 1: Studies from the Chronicles of RomeCrawford, F. Marion (Francis Marion)
History
Ave Roma Immortalis, Vol. 1: Studies from the Chronicles of Rome
Crawford, F. Marion (Francis Marion)
Rome (Italy) -- Description and travel
Five of these names, that is to say, Ponte, Parione, Regola, Pigna and
Sant' Angelo, indicate in a general way the part of the city designated
by each. Ponte, the Bridge, is the Region about the Bridge of Sant'
Angelo, on the left bank at the sharp bend of the river seen from that
point; but the original bridge which gave the name was the Pons
Triumphalis, of which the foundations are still sometimes visible a
little below the Ælian bridge leading to the Mausoleum of Hadrian.
Parione, the Sixth ward, is the next division to the preceding one,
towards the interior of the city, on both sides of the modern Corso
Vittorio Emmanuele, taking in the ancient palace of the Massimo family,
the Cancelleria, famous as the most consistent piece of architecture in
Rome, and the Piazza Navona. Regola is next, towards the river,
comprising the Theatre of Pompey and the Palazzo Farnese. Pigna takes in
the Pantheon, the Collegio Romano and the Palazzo di Venezia. Sant'
Angelo has nothing to do with the castle or the bridge, but takes its
name from the little church of Sant' Angelo in the Fishmarket, and
includes the old Ghetto with some neighbouring streets. The rest explain
themselves well enough to anyone who has even a very slight acquaintance
with the city.
At first sight these more or less arbitrary divisions may seem of little
importance. It was, of course, necessary, even in early times, to divide
the population and classify it for political and municipal purposes.
There is no modern city in the world that is not thus managed by wards
and districts, and the consideration of such management and of its means
might appear to be a very flat and unprofitable study, tiresome alike
to the reader and to the writer. And so it would be, if it were not true
that the Fourteen Regions of Rome were fourteen elements of romance,
each playing its part in due season, while all were frequently the stage
at once, under the collective name of the people, in their ever-latent
opposition and in their occasional violent outbreaks against the nobles
and the popes, who alternately oppressed and spoiled them for private
and public ends. In other words, the Regions with their elected captains
under one chief captain were the survival of the Roman People, for ever
at odds with the Roman Senate. In times when there was no government, in
any reasonable sense of the word, the people tried to govern themselves,
or at least to protect themselves as best they could by a rough system
which was all that remained of the elaborate municipality of the Empire.
Without the Regions the struggles of the Barons would probably have
destroyed Rome altogether; nine out of the twenty-four Popes who reigned
in the tenth century would not have been murdered and otherwise done to
death; Peter the Prefect could not have dragged Pope John the Thirteenth
a prisoner through the streets; Stefaneschi could never have terrorized
the Barons, and half destroyed their castles in a week; Rienzi could not
Public-domain text, read in full here on John Shaqi.
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