Ave Roma Immortalis, Vol. 2: Studies from the Chronicles of RomeCrawford, F. Marion (Francis Marion)
History
Ave Roma Immortalis, Vol. 2: Studies from the Chronicles of Rome
Crawford, F. Marion (Francis Marion)
Rome (Italy) -- Description and travel
One thinks of such things naturally enough; and then the dream runs
backward, against the sun, as dreams will, and the moon rays weave a
vision of dim day. Straightway tier upon tier, eighty thousand faces
rise, up to the last high rank beneath the awning's shade. High in the
front, under the silken canopy sits the Emperor of the world,
sodden-faced, ghastly, swine-eyed, robed in purple; all alone, save for
his dwarf, bull-nosed, slit-mouthed, hunch-backed, sly. Next, on the
lowest bench, the Vestals, old and young, the elder looking on with hard
faces and dry eyes, the youngest with wide and startled looks, and
parted lips, and quick-drawn breath that sobs and is caught at sight of
each deadly stab and gash of broadsword and trident, and hands that
twitch and clutch each other as a man's foot slips in a pool of blood,
and the heavy harness clashes in the red, wet sand. Then grey-haired
senators; then curled and perfumed knights of Rome; and then the people,
countless, vast, frenzied, blood-thirsty, stretching out a hundred
thousand hands with thumbs reversed, commanding death to the
fallen--full eighty thousand throats of men and women roaring, yelling,
shrieking over each ended life. A theatre indeed, a stage indeed, a play
wherein every scene of every act ends in sudden death.
And then the wildest, deadliest howl of all on that day; a handful of
men and women in white, and one girl in the midst of them; the clang of
an iron gate thrown suddenly open; a rushing and leaping of great, lithe
bodies of beasts, yellow and black and striped, the sand flying in
clouds behind them; a worrying and crushing of flesh and bone, as of
huge cats worrying little white mice; sharp cries, then blood, then
silence, then a great laughter, and the sodden face of mankind's drunken
master grows almost human for a moment with a very slow smile. The wild
beasts are driven out with brands and red-hot irons, step by step,
dragging backward nameless mangled things in their jaws, and the
bull-nosed dwarf offers the Emperor a cup of rare red wine. It drips
from his mouth while he drinks, as the blood from the tiger's fangs.
"What were they?" he asks.
"Christians," explains the dwarf.
[Illustration]
REGION XI SANT' ANGELO
The Region of Sant' Angelo, as has been already said, takes its name
from the small church famous in Rienzi's story. It encloses all of what
was once the Ghetto, and includes the often-mentioned Theatre of
Marcellus, now the palace of the Orsini, but successively a fortress of
the Pierleoni, appropriately situated close to the Jews' quarter, and
the home of the Savelli. The history of the Region is the history of the
Jews in Rome, from Augustus to the destruction of their dwelling-place,
about 1890. In other words, the Hebrew colony actually lived during
nineteen hundred years at that point of the Tiber, first on one side of
the river, and afterwards on the other.
Public-domain text, read in full here on John Shaqi.
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