Suffice it to record that Winifred, with a throb in her throat (a
throb that prevented her from pronouncing her n's with the clarity
that some might have desired), said 'certumly' again to Henry's
suit,--'Certumly, if in a year's time you seek me out in the
mountains, and your eyes and voice show that prosperity has not
spoiled you, but that you are indeed my Henry.' And this being
settled in strict accordance with her aunt's injunctions, she never
tried to disguise how happy she was, but told Henry again and again
in answer to his importunate questions--told him with her frank
courage how she had loved him from the first in the old churchyard as
a child--loved him for what she called his love-eyes; told him--ah!
what did she not tell him? I must not go on. These things should not
be written about at all but for the demands of my story.
And how soon she forgot that the betrothal was all on one side! I
could write out every word of that talk. I remember every accent of
her voice, every variation of light that came and went in her eyes,
every ripple of love-laughter, every movement of her body, lissome as
a greyhound's, graceful as a bird's. For fully an hour it lasted. And
remember, reader, that it was on the silvered sands, every inch of
which was associated with some reminiscence of childhood; it was
beneath a moon smiling as fondly and brightly as she ever smiled on
the domes of Venice or between the trees of Fiesole; it was by the
margin of waves whose murmurs were soft and perfumed as Winifred's
own breathing's when she slept; and remember that the girl was
Winifred herself, and that the boy--the happy boy--had Winifred's
love. Ah! but that last element of that hour's bliss is just what
the reader cannot realise, because he can only know Winifred through
these poor words. That is the distressing side of a task like mine.
The beloved woman here called Winifred (no phantom of an idle
imagination, but more real to me and dear to me than this soul and
body I call my own)--this Winifred can only live for you, reader,
through my feeble, faltering words; and yet I ask you to listen to
the story of such a love as mine.
'Winnie,' I said, 'you have often as a child sung songs of Snowdon to
me and told me of others you used to sing. I should love to hear one
of these now, with the chime of the North Sea for an accompaniment
instead of the instrument you tell me your Gypsy friend used to play.
Before we go up the gangway, do sing me a verse of one of those
songs.'
After some little persuasion she yielded and sang in a soft undertone
the following verse:--
Public-domain text, read in full here on John Shaqi.
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