Azalea: The Story of a Little Girl in the Blue Ridge MountainsPeattie, Elia Wilkinson
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Azalea: The Story of a Little Girl in the Blue Ridge Mountains
Peattie, Elia Wilkinson
Blue Ridge Mountains -- Juvenile fiction; Girls -- Juvenile fiction; North Carolina -- Juvenile fiction
The bare yet homely interior was stained a deep reddish brown by time,
and the wide-swung casements let in the sky of the fair summer day.
Elder Miles stood in the pulpit for a few minutes, to ask a blessing on
the gathering, and then a hook-nosed, slender, restless old man with a
voice like a silver trumpet got up and called for volunteers for the
first singing. He said he thought it would be better to have the
middle-aged folks at the first table, so to speak, and that the young
folks could wait for second helping.
With that, men and women arose in various parts of the room and went
forward. Their weather-colored, work-worn faces were lighted with smiles
as they went down the aisle, nodding to acquaintances shyly, and taking
their places in the seats which had been arranged just below the pulpit.
There seemed to be no need to inquire which was soprano, alto, tenor or
bass. They had met together for years, and knew each other’s voices
well. There were only two who hesitated as if not quite sure where to
go, and Azalea, seeing them, was surprised to see that it was Mrs. Carson
and a tall handsome man, with a touch of gray in his hair, whom she took
at once to be Carin’s father. The hook-nosed man came forward to inquire
politely as to their voices, and after shaking hands with them, placed
them among the sopranos and the tenors.
Then a fresh-faced young woman seated herself at the organ, and in a
moment the chorus of voices broke on Azalea’s ear. It was not the way
she had expected it to be—that music. It was sad, although full of
worship and trust. The voices wavered curiously, and seemed to flutter
on the notes something as a flag flutters in the wind. Perhaps the alto
and the bass were a little too strong for the more musical parts; but at
any rate, at first, the little girl was disappointed. Then, someway, she
began to like it. She felt the tears come stinging to her eyes, though
she could not have told why, and a lump gathered in her throat. She
forgot the men and women and the haggard old meeting house, forgot the
sound of the pines without and the humming of the bees; and she seemed
for a moment—a wonderful moment—to be in mid-air like a bird, and to hear
a strange, sad, holy song coming up to her from men and women who toiled,
and hoped, and loved, and suffered, down on the earth.
Some one offered her a hymn book, and the strange moment passed, and she
was able to follow the hymns. They had noble words to them, and her
heart seemed to grow bigger as she read them. Such words suited her—fed
something in her that was hungry and cried for food. She began to
understand why it was that Pa and Ma McBirney were so good. They had
been taught these words from the time that they were children. They had
grown up with these beautiful thoughts in their hearts.
Public-domain text, read in full here on John Shaqi.
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