Great Britain -- History -- 18th century -- Fiction; Short stories, English; West Riding of Yorkshire (England) -- Fiction
She was on her feet. “Cicely!” he cried, but she was gone. He half rose
as if to follow her, then he sank back again. The going down of the sun
found him still on the bank of the dried-up stream.
The very trade of the town was at a standstill on account of the new
trial. It was fixed for the seventh, a Friday, and loungers in the
market-place exchanged odd guilty looks and glanced at the grimy
cactus-pattern of chimney-flues on the end of the “Cross Pipes”--for
with the fixing of the date it had been impossible to keep the news any
longer from Sally, and she had broken down and taken to her bed, where
Cicely tended her. Another man was sent off to York to see what had
become of John Raikes, and a number of Back o’ th’ Mooiners remained in
Horwick to see what might befall. The door of the loom-loft at the
“Fullers’ Arms,” within which Ellah had shut himself, had been forced,
and Ellah had been discovered cowering in a corner and swallowing a
guinea; and it was passed about that Ellah had guineas. They had locked
him in the loft again and barred the window; but a bright flame had
shone out into the Fullergate towards evening, and they had hastily
entered again. He had collected a quantity of rubbish under the loom and
had tried to set fire to it. They removed all that was loose and
combustible. Friday morning broke; it might have been a Sabbath for all
the work men offered to do; and they moved silently about the
market-place, waiting, scarce entering their houses for their meals. The
day wore to evening.
That evening a noble sunset flooded Wadsworth Scout with golden light.
Groups of men stood about the small square, walking from the “Gooise” to
the church, and returning again. The parson had locked himself in the
church, and Pim o’ Cuddy had retired to his chamber. They watched the
declining sun. As it dipped, the ridges and wrinkles of the Scout
started out suddenly into strong relief, dramatic as if a scene had been
changed at a playhouse; and suddenly a pigeon was seen to rise over
James Eastwood’s roof and to wheel and circle as he neared his home.
From every throat there issued an eager cry.
“Whose is it?” “’Tis Pim’s!” “Ho’d on--shoo’ll coit in a minute!”
“Where’s Pim? Run for Pim!”
Some dashed off for the verger. The bird was wheeling in the golden
light over the belfry of the church, the belfry with the new
louver-boards. They recognised the bird--it was from John Raikes; and
Pim o’ Cuddy was haled from his agonies of repentance. He stood peering
up at the pigeon.
“Shoo’s trying to get into th’ owd coit--sitha!--shoo’s flinging hersen
ageean th’ boards--th’ other coit, th’ other coit, ye----!”
“Is shoo from John?” a voice demanded.
“Ay--ay--it’s on her leg, look! Oh, coit, ye----!”
“Fotch a gun.”
Public-domain text, read in full here on John Shaqi.
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