Back to Methuselah: A Metabiological PentateuchShaw, Bernard
Philosophy
Back to Methuselah: A Metabiological Pentateuch
Shaw, Bernard
Drama
mathematics and physics the faith is still kept pure, and you may take
the law and leave the legends without suspicion of heresy. Accordingly,
the tower of the mathematician stands unshaken whilst the temple of the
priest rocks to its foundation.
THE RELIGIOUS ART OF THE TWENTIETH CENTURY
Creative Evolution is already a religion, and is indeed now
unmistakeably the religion of the twentieth century, newly arisen
from the ashes of pseudo-Christianity, of mere scepticism, and of
the soulless affirmations and blind negations of the Mechanists and
Neo-Darwinians. But it cannot become a popular religion until it has its
legends, its parables, its miracles. And when I say popular I do not
mean apprehensible by villagers only. I mean apprehensible by Cabinet
Ministers as well. It is unreasonable to look to the professional
politician and administrator for light and leading in religion. He
is neither a philosopher nor a prophet: if he were, he would be
philosophizing and prophesying, and not neglecting both for the drudgery
of practical government. Socrates and Coleridge did not remain soldiers,
nor could John Stuart Mill remain the representative of Westminster in
the House of Commons even when he was willing. The Westminster electors
admired Mill for telling them that much of the difficulty of dealing
with them arose from their being inveterate liars. But they would not
vote a second time for the man who was not afraid to break the crust of
mendacity on which they were all dancing; for it seemed to them
that there was a volcanic abyss beneath, not having his philosophic
conviction that the truth is the solidest standing ground in the end.
Your front bench man will always be an exploiter of the popular religion
or irreligion. Not being an expert, he must take it as he finds it; and
before he can take it, he must have been told stories about it in his
childhood and had before him all his life an elaborate iconography of it
produced by writers, painters, sculptors, temple architects, and artists
of all the higher sorts. Even if, as sometimes happens, he is a bit of
an amateur in metaphysics as well as a professional politician, he must
still govern according to the popular iconography, and not according to
his own personal interpretations if these happen to be heterodox.
Public-domain text, read in full here on John Shaqi.
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