The engraving represents a tempest with beacon lights; No; it represents "The Tempest" of Shakespeare and tells you that the play is filled with Bacon lights. (In the sixteenth century Beacon was pronounced Bacon. "Bacon great Beacon of the State.") We have already pointed out that "The Tempest," as Emile Montegut shewed in the _Revue des Deux Mondes_ in 1865, is a mass of Bacon's revelations concerning himself. At the bottom (see Plate 27, Page 115, and Plate 31, Page 123), within the "four square corners of fact," surrounded with disguised masks of Tragedy, Comedy, and Farce, is shewn the same man who gave the scroll to the Spearman, see Plate 29, Page 118 (note the pattern of his sleeves). He is now engaged in writing his book, while an Actor, very much overdressed and wearing a mask something like the accepted mask of Shakespeare, is lifting from the real writer's head a cap known in Heraldry as the "Cap of Maintenance." Again we refer to our quotation on page 48. "Those glorious vagabonds.... Sooping it in their glaring Satten sutes." Is not this masquerading fellow an actor "Sooping it in his glaring Satten sute"? The figure which we say represents Bacon, see Plate 28, wears his clothes as a gentleman. Nobody could for a moment imagine that the masked creature in Plate 31 was properly wearing his own clothes. No, he is "sooping it in his glaring Satten sute." The whole title page clearly shows that it is drawn to give a revelation about Shakespeare, who might just as well have borne the name of Shotbolt or of Wagstaffe or of Shakespur, see "The Tempest," Act v., Scene I. "The strong bass'd promontorie Have I made shake, and by the spurs pluckt up." There are also revealing title pages in other books, shewing a spear and an actor wearing a single spur only (see Plate 35, Page 153).