Balaam and His Master, and Other Sketches and StoriesHarris, Joel Chandler
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Balaam and His Master, and Other Sketches and Stories
Harris, Joel Chandler
Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
Sitting thus, Chadwick fell to thinking; thinking, he fell into a doze.
He caught himself nodding more than once, and upbraided himself bitterly.
Still he nodded—he, a soldier on duty at his post. How long he slept he
could not tell, but he suddenly awoke to find himself dragged backward
from the log by strong hands. He would have made some resistance, for he
was a fearless man at heart and a tough one to handle in a knock-down
and drag-out tussle; but resistance was useless. He had been taken at
a disadvantage, and before he could make a serious effort in his own
behalf, he was lying flat on his back, with his hands tied, and as
helpless as an infant. He looked up and discovered that his captor was
Israel Spurlock.
“Well, blame my scaly hide!” exclaimed Chadwick, making an involuntary
effort to free his hands. “You’re the identical man I’m a-huntin’.”
“An’ now you’re sorry you went an’ foun’ me, I reckon,” said Israel.
“Well, I ain’t as glad as I ’lowed I’d be,” said Chadwick. “Yit nuther am
I so mighty sorry. One way or ’nother I knowed in reason I’d run up on
you.”
“You’re mighty right,” responded Israel, smiling not ill-naturedly. “You
fell in my arms same as a gal in a honeymoon. Lemme lift you up, as the
mule said when he kicked the nigger over the fence. Maybe you’ll look
purtier when you swap een’s.” Thereupon Israel helped Chadwick to his
feet.
“You ketched me that time, certain and shore,” said the latter, looking
at Spurlock and laughing; “they ain’t no two ways about that. I was
a-settin’ on the log thar, a-noddin’ an’ a-dreamin’ ’bout Christmas. ’T
ain’t many days off, I reckon.”
“Oh, yes!” exclaimed Spurlock, sarcastically; “a mighty purty dream, I
bet a hoss. You was fixin’ up for to cram me in Lovejoy’s stockin’. A
mighty nice present I’d ’a’ been, tooby shore. Stidder hangin’ up his
stockin’, Lovejoy was a-aimin’ for to hang me up. Oh, yes! Christmas
dreams is so mighty nice an’ fine, I’m a great min’ to set right down
here an’ have one er my own—one of them kin’ er dreams what’s got forked
tail an’ fireworks mixed up on it.”
“Well,” said Chadwick, with some seriousness, “whose stockin’ is you
a-gwine to cram me in?”
“In whose else’s but Danny Lemmons’s? An’ won’t he holler an’ take on?
Why, I wouldn’t miss seein’ Danny Lemmons take on for a hat full er
shinplasters. Dang my buttons ef I would!”
Chadwick looked at his captor with some curiosity. There was not a trace
of ill-feeling or bad humor in Spurlock’s tone, nor in his attitude.
The situation was so queer that it was comical, and Chadwick laughed
aloud as he thought about it. In this Spurlock heartily joined him, and
the situation would have seemed doubly queer to a passer-by chancing
along and observing captor and prisoner laughing and chatting so amiably
together.
“Who, in the name of goodness, is Danny Lemmons?”
Public-domain text, read in full here on John Shaqi.
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