Balaam and His Master, and Other Sketches and StoriesHarris, Joel Chandler
General
Balaam and His Master, and Other Sketches and Stories
Harris, Joel Chandler
Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
For answer the little man whirled his rifle over his hump and under his
arm, and caught it as it went flying into the air. Then he held it at a
“ready,” imitating the noise of the lock with his mouth, took aim and
made believe to fire, all with indescribable swiftness and precision.
Captain Moseley rode on his way laughing; but, laugh as he would, he
could not put out of his mind the queer impression the little man had
made on him, nor could he rid himself of a feeling of uneasiness. Taking
little notice of the landmarks that ordinarily attract the notice of
the traveler in a strange country, he suddenly found himself riding
along a level stretch of tableland. The transformation was complete. The
country roads seemed to cross and recross here, coming and going in every
direction. He rode by a little house that stood alone in the level wood,
and he rightly judged it to be a church. He drew rein and looked around
him. Everything was unfamiliar. In the direction from which he supposed
he had come, a precipice rose sheer from the tableland more than three
hundred feet. At that moment he heard a shout, and looking up he beheld
the hunchback flourishing his long rifle and cutting his queer capers.
The situation was so puzzling that Captain Moseley passed his hand
over his eyes, as if to brush away a scene that confused his mind and
obstructed his vision. He turned his horse and rode back the way he had
come, but it seemed to be so unfamiliar that he chose another road, and
in the course of a quarter of an hour he was compelled to acknowledge
that he was lost. Everything appeared to be turned around, even the
little church.
Meanwhile Private Chadwick was having an experience of his own. In
parting from Captain Moseley he led his horse through the bushes,
following for some distance a cow-path. This semblance of a trail
terminated in a “blind path,” and this Chadwick followed as best he
could, picking his way cautiously and choosing ground over which his
horse could follow. He had to be very careful. There were no leaves on
the trees, and the undergrowth was hardly thick enough to conceal him
from the keen eyes of the mountaineers. Finally he tied his horse in a
thicket of black-jacks, where he had the whole of Uncle Billy Powers’s
little farm under his eye. His position was not an uncomfortable one.
Sheltered from the wind, he had nothing to do but sit on a huge chestnut
log and ruminate, and make a note of the comings and goings on Uncle
Billy’s premises.
Public-domain text, read in full here on John Shaqi.
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