Balaam and His Master, and Other Sketches and StoriesHarris, Joel Chandler
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Balaam and His Master, and Other Sketches and Stories
Harris, Joel Chandler
Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
Lovejoy sat pale and unabashed, his eyes glittering like those of a
snake. He had refused all offers of food, and seemed to be giving all his
attention to Israel Spurlock.
“What does Moseley say?” asked Colonel Watson.
“Ah, he is your prisoner,” said Moseley. “He never struck me as a
dangerous man.”
“Well,” said Chadwick, “ef there’s any doubt, jest take ’im out in the
yard an’ give ’im han’-roomance. Don’t let ’im turn this table over,
’cause it’ll be a long time before some of this company’ll see the likes
of it ag’in.”
It was clear that Lovejoy had no friends, even among his comrades. It was
clear, too, that this fact gave him no concern. He undoubtedly had more
courage than his position seemed to demand. He sat glaring at Spurlock,
and said never a word. Uncle Billy Powers looked at him, and gave a sigh
that ended in a groan.
“Well, boys,” said the old man, “this is my house, an’ he’s at my table.
I reckon we better ontie ’im, an’ let ’im git a mou’ful ter eat. ’T ain’t
nothin’ but Christian-like.”
“Don’t you reckon he’d better eat at the second table?” inquired
Chadwick. This naïve suggestion provoked laughter and restored good
humor, and Colonel Watson consented that Lovejoy should be released.
Danny Lemmons undertook this gracious task. He had released Lovejoy’s
right arm, and was releasing the left, having to use his teeth on one of
the knots, when the prisoner seized a fork—a large horn-handle affair,
with prongs an inch and a half long—and as quick as a flash of lightning
brought it down on Danny Lemmons’s back. To those who happened to be
looking it seemed that the fork had been plunged into the very vitals of
the hunchback.
The latter went down, dragging Lovejoy after him. There was a short,
sharp struggle, a heavy thump or two, and then, before the company
realized what had happened, Danny Lemmons rose to his feet laughing,
leaving Lovejoy lying on the floor, more securely bound than ever.
“I reckon this fork’ll have to be washed,” said Danny, lifting the
formidable-looking weapon from the floor.
There was more excitement after the struggle was over than there had been
or could have been while it was going on. Chadwick insisted on examining
Danny Lemmons’s back.
“I’ve saw folks cut an’ slashed an’ stobbed before now,” he explained,
“an’ they didn’t know they was hurt tell they had done cooled off. They
ain’t no holes here an’ they ain’t no blood, but I could ’most take a
right pine-blank oath that I seed ’im job that fork in your back.”
“Tut, tut!” said Colonel Watson. “Do you s’pose I raised Danny Lemmons
for the like of that?”
“Well,” said Chadwick, resuming his seat and his dinner with unruffled
nerves, temper, and appetite, “it beats the known worl’. It’s the fust
time I ever seed a man git down on the floor for to give the in-turn an’
the under-cut, an’ cut the pigeon-wing an’ the double-shuffle, all before
a cat could bat her eye. It looks to me that as peart a man as Lemmons
there ought to be in the war.”
Public-domain text, read in full here on John Shaqi.
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