|SOMEBODY wants to know whether dueling is murder, and we reply in clarion tones that it depends largely on how fatal it is. Dueling with monogram note paper, at a distance of 1,200 yards, is not murder. HEAP GONE. |ANOTHER land-mark of Laramie has gone. Another wreck has been strewn upon the sands of time. Another gay bark has gone to pieces upon the cruel rocks, and above the broken spars and jib-boom, and foretop gallant royal mainbrace, and spanker-boom euchre deck, the cold, damp tide is moaning. We refer to L. W. Shroeder, who recently left this place incog., also in debt, largely, to various people of this gay and festive metropolis. Laramie has been the home, at various times, of some of the most classical dead-beats of modern times; but Shroeder was the noblest, the most grand and colossal of dead-beats that has ever visited our shores. Born with unusual abilities in this direction, he early learned how to enlarge and improve upon the talents thus bestowed upon him, and here in Laramie, he soon won a place at the front as a man who purchased everything and paid for nothing. He had a way of approaching the grocer and the merchant that was well calculated to deceive, and he did, in several instances, make representations, which we now learn, were false. He was, by profession, a carpenter and joiner, having learned the art while cutting cordwood on the Missouri bottoms, near Omaha, for the Collins Brothers. Here he rapidly won his way to the front rank, by erecting some of the most commanding architectural ruins of which modern wood assassination can boast. He would take a hatchet and a buck-saw and carve out his fortune anywhere in the world, and it wouldn't cost him a cent. He filled this whole trans-Missouri country with his fame, and his promissory notes, and then skinned out and left us here to mourn. Good-bye, Shroeder. Wherever you go, we will remember you and hope that you may succeed in piling up a monument of indebtedness as you did here. You were industrious and untiring in your efforts to become a great financial wreck, and success has crowned your efforts. We will not grudge you the glory that coagulates about your massive brow. THE EDITORIAL LAMP. |THERE is something unique about an editor's lamp that, enables most anyone to select it from a large number of other lamps. It is _sui generis_ and extremely original. The large metropolitan papers use gas in the editorial rooms, and make up for the loss of the kerosene lamp by furnishing their offices with some other article of furniture that is equally attractive.