German fiction -- Translations into English; Holy Roman Empire -- History -- Charles V, 1519-1556 -- Fiction
After the guards were relieved they had suddenly surrounded him, and,
in spite of his vigorous resistance, would have taken him prisoner. But
fortunately the musicians, among them Barbara and Wolf, had just come
out into the street, and the latter had told the sergeant of the
guards, whom he knew, how mistaken he had been concerning the suspicions
pedestrian, and obtained his release. Thus the careful father’s hopes
had been frustrated. But when he learned that his daughter had not seen
the Emperor at all, and had neither been seen nor spoken to by him, he
gave--notwithstanding his reverence for the sacred person of his mighty
commander--full expression to his indignation.
Fool that he had been to permit Barbara to present herself at court with
a troop of ordinary singing boys! Even on the following day he persisted
in the declaration that it was his duty, as a father and a nobleman, to
protect his daughter from further humiliations of this sort.
Yet when, on the day of fasting, the invitation to sing came, he
permitted Barbara to accept it, because it was the Emperor who summoned
her. He had called for her again, and on the way home learned that
neither his Majesty nor the regent had been among the listeners, and he
had gone to rest like a knight who has been hurled upon the sand.
The next morning, after mass, Barbara went to the rehearsal, and
returned in a very joyous mood with the tidings that the Emperor wished
to hear her about noon. But this time her father wanted to forbid her
taking part in the performance, and Wolf had not found it easy to make
him understand that this would insult and offend his Majesty.
The dispute was by no means ended when the little Maltese summoned her
to the New Scales. Wolf accompanied her only to the Haidplatz, for
he had been called to the Town Hall on business connected with his
inheritance; but Barbara learned in the room assigned to the musicians
that the noon performance had just been countermanded, and no special
reason had been given for the change.
The leader of the orchestra had been accustomed to submit to the
sovereign’s arrangements as unresistingly as to the will of higher
powers, and Barbara also restrained herself.
True, wrath boiled and seethed in her breast, but before retiring
she only said briefly, with a seriousness which revealed the contempt
concealed beneath:
“You were quite right, Maestro Appenzelder. The Emperor considered my
voice nothing unusual, and nothing else is fit for the august ears of
his Majesty. Now I will go to the green woods.”
The leader of the boy choir again did his best to detain her, for what
the noon denied the evening would bring, and Gombert aided him with
courteous flatteries; but Barbara listened only a short time, then,
interrupting both with the exclamation, “I force myself upon no one, not
even the highest!” she left the room, holding her head haughtily erect.
Appenzelder fixed his eyes helplessly upon the ground.
Public-domain text, read in full here on John Shaqi.
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