Country life -- Fiction; Pastoral fiction; Piedmont (U.S. : Region) -- Fiction; Virginia -- Fiction
Immediately in front of her, the pear orchard had flowered a little late
and scattered its frail bloom on the grass. As the sunlight streamed
through the trees, they appeared to float between earth and sky in some
ineffable medium, while the petals on the ground shone and quivered with
a fugitive loveliness, as if a stir or a breath would dissolve the white
fire to dew. Above the orchard, where a twisted path ran up to it, there
was the family graveyard, enclosed by a crumbling fence which had once
been of white palings, and in the centre of the graveyard the big
harp-shaped pine stood out, clear and black, on the low crest of the
hill. It was the tallest pine, people said, in the whole of Queen
Elizabeth County; its rocky base had protected it in its youth; and
later on no one had taken the trouble to uproot it from the primitive
graveyard. In spring the boughs were musical with the songs of birds; on
stormy days the tree rocked back and forth until Mrs. Oakley imagined,
in her bad spells, that she heard the creaking of a gallows; and on hot
summer evenings, when the moon rose round and orange-red above the hill,
the branches reminded Dorinda of the dark flying shape of a witch.
While she sat there she lived over again the incidents of the morning;
but the vision in her mind was as different from the actual occurrences
as the image of her lover was different from the real Jason Greylock.
Nothing had happened to disappoint her. Absolutely nothing. There was no
reason why she should have been happy yesterday and miserable to-day;
there was no reason except the eternal unreasonableness of love! She had
tried to fix her mind on the sermon, which was a little shorter and no
duller than usual. Sitting on the hard bench which she called a pew,
bending her head over the bare back of the seat in front of her, she had
sought to win spiritual peace by driving a bargain with God. "Give me
happiness, and I----"
Public-domain text, read in full here on John Shaqi.
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