Chicago (Ill.) -- History -- To 1875 -- Fiction; Fires -- Fiction; Great Fire, Chicago, Ill., 1871 -- Fiction; Historical fiction
"Most fortunate for us. I wish I could read every one as I can Fleet."
"You trust no one, I believe, father."
"I believe what I see and know."
"I wish I had your power of seeing and knowing. But how did he get his
artistic knowledge and taste?"
"That I have not inquired into fully, as yet. I think he has an unusual
native aptness for these things, and gains hints and instruction where
others would see nothing. And, as you say, in the better days past he
may have had some advantages."
"Well," said she, caressing the greyhound beside her, "if Wolf here
should go to the piano and execute an opera, I should not be more
astonished than I was this morning."
And then their conversation glided off on other topics.
After dessert, Mr. Ludolph lighted a cigar and sat down to the evening
paper, while his daughter evoked from the piano true after-dinner
music--light, brilliant, mirth-inspiring. Then both adjourned to their
private billiard-room.
The scene of our story now changes from Mr. Ludolph's luxurious
apartments in one of the most fashionable hotels in the city to a
forlorn attic in De Koven Street. It is the scene of a struggle as
desperate, as heroic, against as tremendous odds, as was ever carried
on in the days of the Crusades. But as the foremost figure in this
long, weary conflict was not an armed and panoplied knight, but merely
a poor German woman, only God and the angels took much interest in it.
Still upon this evening she was almost vanquished. She seemed to have
but one vantage-point left on earth. For a wonder, her husband was
comparatively sober, and sat brooding with his head in his hands over
the stove where a fire was slowly dying out. The last coal they had
was fast turning to ashes. From a cradle came a low, wailing cry. It
was that of hunger. On an old chest in a dusky corner sat a boy about
thirteen. Though all else was in shadow, his large eyes shone with
unnatural brightness, and followed his mother's feeble efforts at the
washtub with that expression of premature sadness so pathetic in
childhood. Under a rickety deal table three other and smaller children
were devouring some crusts of bread in a ravenous way, like
half-famished young animals. In a few moments they came out and clamored
for more, addressing--not their father; no intuitive turning to him
for support--but the poor, over-tasked mother. The boy came out of his
corner and tried to draw them off and interest them in something else,
but they were like a pack of hungry little wolves. The boy's face was
almost as sharp and famine-pinched as his mother's, but he seemed to
have lost all thought of himself in his sorrowful regard for her. As
the younger children clamored and dragged upon her, the point of
endurance was passed, and the poor woman gave way. With a despairing
cry she sank upon a chair and covered her face with her apron.
"Oh, mine Gott, Oh, mine Gott," she cried, "I can do not von more
stroke if ve all die."
Public-domain text, read in full here on John Shaqi.
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