I find it difficult, now, to recapture my first impression of that
meeting. About the woman, hesitating before me, there was something
unexpected, something wholly unfamiliar. She belonged to a type with
which I was not acquainted. Nor was it wonderful that she should strike
me in this fashion, since my wanderings, although fairly extensive,
had never included the West Indies, nor had I been to Spain; and this
girl--I could have sworn that she was under twenty--was one of those
rare beauties, a golden Spaniard.
That she was not purely Spanish I learned later.
She was small, and girlishly slight, with slender ankles and exquisite
little feet; indeed I think she had the tiniest feet of any woman I
had ever met. She wore a sort of white pinafore over her dress, and her
arms, which were bare because of the short sleeves of her frock, were of
a child-like roundness, whilst her creamy skin was touched with a faint
tinge of bronze, as though, I remember thinking, it had absorbed
and retained something of the Southern sunshine. She had the swaying
carriage which usually belongs to a tall woman, and her head and neck
were Grecian in poise.
Her hair, which was of a curious dull gold colour, presented a mass of
thick, tight curls, and her beauty was of that unusual character which
makes a Cleopatra a subject of deathless debate. What I mean to say is
this: whilst no man could have denied, for instance, that Val Beverley
was a charmingly pretty woman, nine critics out of ten must have failed
to classify this golden Spaniard correctly or justly. Her complexion was
peach-like in the Oriental sense, that strange hint of gold underlying
the delicate skin, and her dark blue eyes were shaded by really
wonderful silken lashes.
Emotion had the effect of enlarging the pupils, a phenomenon rarely met
with, so that now as she entered the room and found a stranger present
they seemed to be rather black than blue.
Her embarrassment was acute, and I think she would have retired without
speaking, but:
“Ysola,” said Colin Camber, regarding her with a look curiously
compounded of sorrow and pride, “allow me to present Mr. Malcolm Knox,
who has honoured us with a visit.”
He turned to me.
“Mr. Knox,” he said, “it gives me great pleasure that you should meet my
wife.”
Perhaps I had expected this, indeed, subconsciously, I think I had.
Nevertheless, at the words “my wife” I felt that I started. The analogy
with Edgar Allan Poe was complete.
As Mrs. Camber extended her hand with a sort of appealing timidity, it
appeared to me that she felt herself to be intruding. The expression
in her beautiful eyes when she glanced at her husband could only be
described as one of adoration; and whilst it was impossible to doubt
his love for her, I wondered if his colossal egotism were capable of
stooping to affection. I wondered if he knew how to tend and protect
this delicate Southern girl wife of his.
Public-domain text, read in full here on John Shaqi.
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