Baudelaire: His Prose and PoetryBaudelaire, Charles
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Baudelaire: His Prose and Poetry
Baudelaire, Charles
Baudelaire, Charles, 1821-1867; French literature -- 19th century
"I have neglected to tell you that I called vigorously for help; but
all my neighbors refused to come to my assistance, faithful in that to
the habits of civilized man, who never wishes, I know not why, to mix
in the affairs of one that has been hanged. Finally a physician came,
who said that the child had been dead several hours. When, later, we
had to disrobe him for burial, the cadaverous rigidity was such that,
despairing of bending his limbs, we had to tear and cut the garments to
remove them."
"The commissioner, to whom, naturally, I had to announce the casualty,
looked at me askew and said to me: 'Here's something suspicious,'
moved doubtless by an inveterate desire and a professional habit of
frightening, at all events, the innocent as well as the guilty.
"There remained a supreme task to perform, the thought of which alone
gave me a terrible anguish: I had to notify the parents. My feet
refused to guide me to them. Finally, I had the courage. But, to my
great astonishment, the mother was unmoved, not a tear oozed from the
corner of her eye. I attributed that strangeness to the very horror
she must feel, and I recalled the well-known maxim: 'The most terrible
sorrows are silent ones.' As to the father, he contented himself with
saying with an air half brutalized, half pensive: 'After all, it is
perhaps for the best; he would always have come to a bad end!'
"However, the body was stretched out on my couch, and, assisted by a
servant, I was busying myself with the final preparations, when the
mother entered my studio. She wished, she said, to see the body of
her son. I could not, in truth, deny her the intoxication of her grief
and refuse her that supreme and somber consolation. Then she begged me
to show her the place where her little one had hanged himself. 'Oh no,
madam' I answered, 'that would be bad for you.' And as my eyes turned
involuntarily toward the fatal cupboard, I perceived, with disgust
mingled with horror and wrath, that the nail had remained driven in the
casing, with a long rope-end still hanging. I leapt rapidly to snatch
away the last traces of the misfortune, and as I was going to hurl them
out through the open window, the poor woman seized my arm and said in
an irresistible tone: 'Oh! sir! leave that for me! I beg you! I beseech
you.' Her despair had doubtless become, it seemed to me, so frantic
that she was now overcome with tenderness toward that which had served
her son as the instrument of death, and she wished to preserve it as a
dear and horrible relic.--And she took possession of the nail and of
the twine.
Public-domain text, read in full here on John Shaqi.
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