Baudelaire: His Prose and PoetryBaudelaire, Charles
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Baudelaire: His Prose and Poetry
Baudelaire, Charles
Baudelaire, Charles, 1821-1867; French literature -- 19th century
In a men's boudoir, that is, in a smoking room adjoining a fashionable
brothel, four men were smoking and drinking. They were not exactly
either young or old, either handsome or ugly; but, old or young,
they bore that unmistakable distinction of veterans of joy, that
indescribable something-or-other, that cold and scoffing sadness that
so clearly says: "We have lived forcefully, and we seek what we can
love and prize."
One of them drew the talk to the subject of women. It would have been
more philosophical not to have spoken of them at all; but there are men
of parts who, after drinking, do not disdain commonplace conversations.
One listens, then, to the one that speaks as to the music of a dance.
"All men," said this one, "have passed through the age of the Cherub:
that is the period when, in default of dryads, one embraces, without
disgust, the trunks of oaks. It is the first degree of love. At the
second degree, one begins to choose. To be able to deliberate is
already decadence. Then it is that one makes a decided search for
beauty. As for me, gentlemen, I take pride in having long ago reached
the climactic period of the third degree, when beauty itself no longer
suffices, unless it be seasoned with perfume, with finery, et cetera. I
will even confess that I sometimes aspire, as to an unknown happiness,
to a certain fourth degree which is marked by absolute calm. But, all
through my life, except at the Cherub age, I have been more sensible
than all others of the enervating folly, of the irritating mediocrity,
of women. What I like above all in animals is their candor. Judge then
how much I suffered at the hands of my last mistress.
"She was a prince's bastard. Beautiful, that goes without saying;
otherwise, why should I have taken her? But she spoiled that great
quality by an unseemly, deformed ambition. She was a woman who wanted
always to play the man. 'You're not a man!' 'Of the two, it is I who am
the man! 'Such were the unbearable refrains that came from her mouth
when I wished to see nothing but songs take wing.
"In regard to a book, a poem, an opera, for which I let my admiration
escape: 'So you think this is rather powerful?' she would say at once;
'since when are you a judge of power?' and she would argue on.
"One fine day she took to chemistry; so that between her mouth and mine
I found thenceforth-a mask of glass. With all that, quite squeamish. If
now and then I jostled her with too amorous a gesture, she raved like a
ravished virgin."
"How did it end?" asked one of the three others. "I never knew you so
patient."
"God," he replied, "found the remedy in the ill. One day I found this
Minerva, craving for ideal force, alone with my servant, and in a
situation which forced me to retire discreetly, so as not to make them
blush. That evening, I dismissed them both, giving them the arrears of
their wages."
Public-domain text, read in full here on John Shaqi.
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