England -- Fiction; Families -- Fiction; Farms -- Fiction; Older men -- Fiction
At the end of the village was the river that he had known only where
it ran out over the sand. It was dear to him, because it went
towards the marsh, but otherwise it was not the river he knew. Out
there it was silver or thin blue, sometimes a dull and hurrying
grey, but always it held the mirror of its face wide open to the
sky. Here it was black, because of the high banks and the old bridge
and the big trees leaning right across. It was a glorious black,
velvet-smooth, with underneath it the colours of weeds and stones and
darting fish, and the reflection of other colours overhead. There
were trees in the water, too, as real as those above; he could not
always tell which was which. They had the same vivid, wide-spreading
green, the same ribbed and splendid trunks. It was like looking down
into a forest from a bird’s wing, only the forest was overhead as
well. It seemed as far to look down as it was to look up. He thought
the mirror-picture the daintier of the two—cleaner, as it were, for
the water washing over its face; like the forests one sees through
the polished glass of a dream. There was only one other difference
that he could see. When the trees above stood perfectly still, the
trees in the water seemed to wave and dance. But it was only the
ripple across the river’s face. Beneath it the painted picture was
still and serene.
He was fond of the bridge, too, and liked to wait for the sun dipping
under its curve, but it was not often that he had a chance of that.
The children were in league with Marget to hunt him down, and could
spy him out in the most unlikely spots. Then they would harry him
back along the street, beating at him with dirty little hands, and
though he felt dreadfully ashamed and hurt, it was better than being
fetched by Marget herself. “Grandpa” added zest to the children’s
lives, gave them a sense of drama, a heady taste of power. Their days
would lack a certain excitement when Marget’s bone was gone.... In
the end he gave up the bridge as he had yielded the wall, because the
pleasure was not worth the risk. The river under the bridge was not
his own river, after all. Safe in his mind he had it where he liked
it best, pale on the brown waste as it swam to sea.
Public-domain text, read in full here on John Shaqi.
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