Beauty and the Beast, and Tales of HomeTaylor, Bayard
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Beauty and the Beast, and Tales of Home
Taylor, Bayard
Short stories; United States -- Social life and customs -- 19th century -- Fiction
In their time of trial and sorrow the family received the fullest
sympathy, the kindliest help, from the whole neighborhood. They had
never before so fully appreciated the fraternal character of the society
whereof they were members. The plain, plodding people living on the
adjoining farms became virtually their relatives and fellow-mourners.
All the external offices demanded by the sad occasion were performed for
them, and other eyes than their own shed tears of honest grief over De
Courcy's coffin. All came to the funeral, and even Simon Pennock, in
the plain yet touching words which he spoke beside the grave, forgot the
young man's wandering from the Light, in the recollection of his frank,
generous, truthful nature.
If the Donnellys had sometimes found the practical equality of life in
Londongrove a little repellent they were now gratefully moved by the
delicate and refined ways in which the sympathy of the people sought to
express itself. The better qualities of human nature always develop a
temporary good-breeding. Wherever any of the family went, they saw the
reflection of their own sorrow; and a new spirit informed to their eyes
the quiet pastoral landscapes.
In their life at home there was little change. Abraham Bradbury had
insisted on sending his favorite grandson, Joel, a youth of twenty-two,
to take De Courcy's place for a few months. He was a shy quiet creature,
with large brown eyes like a fawn's, and young Henry Donnelly and he
became friends at once. It was believed that he would inherit the
farm at his grandfather's death; but he was as subservient to Friend
Donnelly's wishes in regard to the farming operations as if the latter
held the fee of the property. His coming did not fill the terrible gap
which De Courcy's death had made, but seemed to make it less constantly
and painfully evident.
Susan Donnelly soon remarked a change, which she could neither clearly
define nor explain to herself, both in her husband and in their daughter
Sylvia. The former, although in public he preserved the same grave,
stately face,--its lines, perhaps, a little more deeply marked,--seemed
to be devoured by an internal unrest. His dreams were of the old times:
words and names long unused came from his lips as he slept by her side.
Although he bore his grief with more strength than she had hoped, he
grew nervous and excitable,--sometimes unreasonably petulant, sometimes
gay to a pitch which impressed her with pain. When the spring came
around, and the mysterious correspondence again failed, as in the
previous year, his uneasiness increased. He took his place on the high
seat on First-days, as usual, but spoke no more.
Public-domain text, read in full here on John Shaqi.
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