A man that played an accordion, whom I often saw, had a certain
pitch. People that passed by could not help but pity him, thinking
that he was a stranger in the town, and did not know the almshouses
from other dwellings. But this musician knew well what the houses
were, for he had been to them before and--in a whisper--these
almshouses were almost his best pitch. Going up a narrow passage,
he would take up a position in a large stone yard, where he would
stand and play a few tunes, and would be rewarded with three or four
pennies and a couple of parcels of food. This was certainly good, for
it was all bunts (profit). He will not be so successful when he plays
to a row of fine villas at the other end of the town. If it were not
for making himself a nuisance, and being paid to go away, it would
never be worth while to play to fine houses.
I shall never forget the summer's day when I accidentally discovered
a long row of small houses hidden away from all eyes. Having been
given a sandwich, I had put it in my pocket, but on second thoughts
decided to wrap it in paper. Seeing a dark, narrow passage between
two shops, I entered, so as to have some privacy to do so. While
I was in the act of wrapping this sandwich in paper, and returning
it to my pocket, I was surprised at being passed by three small
children, and wondered what they were doing there. But I lost sight
of them at once, around a short bend in the passage. Being curious
to know what was around this bend, I advanced, and what do you think
I saw? A long yard, with more than a dozen small cottages in a row.
This was a lovely sight for a beggar! In there a man could beg
without fear of policemen, and without being annoyed by the stares
of people passing in carts and on foot. But the best of it was that
these houses would escape ninety-nine beggars out of a hundred.
Public-domain text, read in full here on John Shaqi.
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