Beggars on HorsebackJesse, F. Tennyson (Fryniwyd Tennyson)
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Beggars on Horseback
Jesse, F. Tennyson (Fryniwyd Tennyson)
Fiction; Short stories, English
The Glasson's cottage was tucked away in a hollow of the moor, only the
chimney of it visible from Perran-an-zenna, and Vashti began to chafe
under the isolation, and to regret she had never been at more pains to
make friends among her own sex.
As summer drew to its full, Vashti watched the splendid pageant of it in
the sky and moor with unappreciative eyes. If anyone had told her that
her soul had been formed by the country of her birth and upbringing, she
would have thought it sheer lunacy, but her parents were not more
responsible for Vashti than the land itself. The hardness and bleakness,
the inexpressible charm of it, the soft, indolent airs, scented with
flowers, or pungent with salt; above all, that reticence that makes for
lonely thoughts, these things had, generation by generation, moulded her
forbears, and their influence was in her blood. Even the indifference
with which she saw arose from her oneness with her own country, and in
this she was like all true Cornish folk before and since--they belong to
Cornwall body and soul. The quality of reticence had become
secretiveness in James Glasson--he took a childish pleasure in keeping
any little happening from the world in general and Vashti in particular,
and the consequence was that, in her, strength was hardening into
relentlessness.
One market day she was returning from Penzance--a drive of some eight
miles, accomplished in the cart of their nearest neighbour--with a paper
parcel on her knee, which she kept on fingering under the rug as though
to make sure it was still there. At the neighbour's farm she got out,
thanked him, and started to walk the remaining mile over the moor, with
the precious parcel laid carefully on the top of the basket of household
goods. It had been one of those days when the air seems to have a misty
quality that makes it almost visible--a delicate effulgence that
envelops every object far and near, blurring harsh outlines and giving
an effect as though trees and plants stood up into an element too subtle
for water and too insistent for ether. The cloud shadows gave a
plum-like bloom to the miles of interfolding hills, and inset among the
grey-green of the moor the patches of young bracken showed vivid as
slabs of emerald. Lightly as balls of thistledown the larks hopped
swiftly over the heather on their thin legs, the self-heal and
bird's-foot trefoil made a carpet of purple and yellow; from the
heavy-scented gorse came the staccato notes of the crickets, while in a
distant copse a cuckoo called faintly on her changed, June note. As
Vashti rounded the corner of the rutted track and the cottage came into
view, she paused. The deeply sloping slate roof was iridescent as a
pigeon's breast, and the whitewashed walls were burnished with gold by
the late sunlight, while against the faded peacock blue of the fence the
evening primroses seemed luminous. Even to Vashti it all looked
different, transmuted. Her fingers pressed the shiny paper of the parcel
Public-domain text, read in full here on John Shaqi.
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