added sternly, “that there is twenty-five per cent. of water in this
milk.” “Your lordship speaks the truth,” answered the faithful man, “but
how could I tell a lie? The milk was drawn in my presence.” “Do you
mean to say you were there the whole time the animal was being milked?”
“The whole time, your lordship. Would I give those rogues the chance of
watering the _saheb’s_ milk?” The master thought for a moment, and asked
again, “Are you sure there was no water in the pail before the milking
began?—these people are very cunning.” “They are as cunning as
_sheitan_, your lordship, but I made the man turn the pail upside down
and shake it.” Again the master turned the matter over in his just mind,
and it occurred to him that the lactometer was of English manufacture and
might be puzzled by the milk of the buffalo. “Is this cow’s milk, or
buffalo’s?” he asked. The boy was beginning to feel his position
uncomfortable and caught at this chance of escape. “Ah! that I cannot
tell. It may be buffalo’s milk.” _Tableau_.
[Picture: The Doodwallahs—Milkmen]
I have spoken of having butter made in the house, but Gopal carries on
all departments of a dairyman’s business, and you may buy butter of him
at two annas a “cope.” Let philologists settle the derivation of the
word. The “cope” is a measure like a small tea-cup, and when Gopal has
filled it, he presses the butter well down with his hand, so that a man
skilled in palmistry may read the honest milkman’s fortune off any cope
of his butter. How he makes it, or of what materials, I dare not say.
Many flavours mingle in it, some familiar enough, some unknown to me.
Its texture varies too. Sometimes it is pasty, sometimes semi-fluid,
sometimes sticky, following the knife. In colour it is bluish-white,
unless dyed. All things considered, I refuse Gopal’s butter, and have
mine made at home. The process is very simple, and no churn is needed.
Every morning the milk for next day’s butter is put into a large flat
dish, to stand for twenty-four hours, at the end of which time, if the
dish is as dirty as it should be, the milk has curdled. Then, with a tin
spoon, Mukkun skims off the cream and puts it into a large pickle bottle,
and squatting on the ground, _more suo_, bumps the bottle upon a pad
until the butter is made. The artistic work of preparing it for
presentation remains. First it is dyed yellow with a certain seed, that
it may please the _saheb’s_ taste, for buffalo butter is quite white, and
you know it is an axiom in India that cow’s milk does not yield butter.
Then Mukkun takes a little bamboo instrument and patiently works the
butter into a “flower” and sends it to breakfast floating in cold water.
Public-domain text, read in full here on John Shaqi.
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