Behind the Scenes in Warring GermanyFox, Edward Lyell
History
Behind the Scenes in Warring Germany
Fox, Edward Lyell
World War, 1914-1918 -- Personal narratives
"I'm going to spend the evening in the headquarters of my own regiment
in Commines," the Hauptmann explains. "One of the officers here will
take you to the Seventeenth's headquarters."
Thanking everybody, we leave the parlor, and the officers smile
sententiously. We pass through the dimly lit kitchen where the tired
soldiers sit around the table, and cautiously opening that betraying
light filled door, we file, one at a time, into the stable yard. It is
still dusk, and as we follow our officer towards the narrow road, that
meets the one we had taken from Houthem, Kliewer bids us good-by. "Be
careful," he calls. His motor drives away, and to my surprise our car
follows. "Call back that driver," I say to our officer, "he's made a
mistake."
"No, he is right," smiles the officer. "No automobile ever goes up this
road. The French would see it. It's an easy walk, only a mile."
We follow him through the mud, finally setting foot on the road, less
muddy I notice, than the road from Houthem. We are on our way to the
headquarters of the Seventeenth Regiment, The dream of every
correspondent in this war is about to be realized. We are on our way to
spend the night on the firing line.
5:30. We have been walking ten minutes. We have passed a mounted patrol
and an unarmed private, walking fast. The long twilight has grayed, but
even far up the road I can still distinguish the posts of the wire
fence. We have just passed a lonely, brown frame cottage, the last house
between the open fields and a fringe of wood, when the Lieutenant stops
short and faces us.
"From now on," says the Lieutenant, with that easy way of authority, "we
shall walk at intervals of thirty paces."
I know what that means. Only a few hours before, when approaching a
battery, Hauptmann Kliewer told us the same thing. I remember his words:
"Altogether we make too plain a mark. We must separate."... How uneasy
you feel, walking along this way. Not only are you gauging your own
interval of thirty paces, but you are careful to keep an eye on the
others, ready to warn them if they draw too close; and they are keeping
an eye on you. You expect something to happen. Uneasy, you watch the
sky, but no shrapnel is bursting nearby. Ahead somewhere the artillery
is booming, but here everything is quiet. This walking along, pacing
your distance, restlessly glancing to right and left, and listening, is
getting on my nerves. No wonder I can't hear anything. The flaps of that
aviator's cap are tight around my ears. Expectantly I unloosen them. And
then I hear it, above us, a sound that makes me stop short; a sound as
though a giant had sucked in his breath.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account