Behind the Scenes in Warring GermanyFox, Edward Lyell
History
Behind the Scenes in Warring Germany
Fox, Edward Lyell
World War, 1914-1918 -- Personal narratives
Above us a shell is screaming on its way to the French trenches. From
beyond the woods the cannonading sounds heavier. Through the trees,
where the road bends to the right, a row of roofless houses seems
ghostly gray in the dusk. "That's what's left of Hollenbeck," I am
saying to Poole; "I heard the Major say we'd pass through it." And then
it seems as though the air is being sucked in all around us; it shrills
to a multitude of strange whistlings. The fence wire rings; a twig
rattles along the dried limbs of a tree and floats down; something spats
against a stone and goes ricocheting away. I'm positive we're going to
be hit; the air is wild with bullets. The trees are closer. There we'll
be safe. Why don't the others hurry, so that we can move faster, too?
And then, right on the road, almost where my heel has just lifted, a
bullet strikes. The dirt flies high. Instinctively I lurch forward and
fall on one knee. Forgetting his blanket, Poole bends over me. "Did you
get it?" he asks. I wonder if I didn't, and look at my foot. "It was
close," he says, relieved; "I heard the thing hit right behind you."
"I don't think we're seen," I unconcernedly try to say. "They wouldn't
have let us come up here if we were. These must be wild bullets flying
above the trenches. They're just beyond the wood, you know."
"Too wild," is Poole's comment, with which I agree. We are climbing a
slight hill now, the road turning to the right into Hollenbeck, a silent
place of unroofed, shell-battered houses. Here you feel safe for the
walls protect you, but over our head the loud whining of the German
shells keeps up the sound of war. Passing the last house we come upon
two squads of soldiers waiting in its shelter, and as we go on out into
the open road, they grin. The dusk is turning to black, and ahead it is
hard to tell where the tops of that clump of trees leave off, and the
sky begins. I am certain that those trees are our destination, and
although the bullets are whistling again, one feels safe.
A few minutes' walking and we have turned into what seems to be a wooded
lawn. A hundred feet away the vague shape of a low roofed house marks
itself by a thin bar of light, evidently from a closed door. The lawn is
muddy, and as, walking in single file, we cross on planks, the liquid
ground sloshes beneath our feet. As we approach what seems to be the
stable of a farm, those in front walk slower, and even slower descend
into the earth. Poole and I follow them down a flight of rough stone
steps, and seeing two uprights of stout logs standing as a doorway and,
level with my head as I descend, a roof of tree trunks and dirt, I
whisper, "Bombproof."
Public-domain text, read in full here on John Shaqi.
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