Behind the Scenes in Warring GermanyFox, Edward Lyell
History
Behind the Scenes in Warring Germany
Fox, Edward Lyell
World War, 1914-1918 -- Personal narratives
The door creaks open and we go in. As I gape around, the fragrance of
good cooking comes from a coal stove, crammed with tall cylindrical army
pots. The room is evidently the kitchen--a typical farmhouse kitchen
with a wide fireplace of red bricks and a long mixing table along the
wall by the shade-drawn window. Tacked to a slate-colored pantry door is
a calendar with the month of October not yet torn off, and on top of the
fireplace an old wooden clock that has run down at half past four--was
it on the day the Germans came? "Sit down, gentlemen," the Colonel is
saying, indicating a round kitchen table, around which six chairs are
crowded. On a snow white cloth our places have been set. There are not
enough forks to go round so some have soup spoons. I see only three
knives, so some of us will have to use our pocket knives. A comfortable
yellow light falls from the yellow lamp in the center of the table. We
begin to feel as snug as a fireside cat. "Our knives and forks are
rather limited," apologizes the Adjutant, who introduces himself as
Hauptmann Koller, a tall handsome Bavarian with a scraggy black growth
on his chin. "However, there are dishes enough to go around." I begin to
have a suspicion that our sympathy has been absurd. Black bread and army
wurst never gave out the odors that are coming from those pots on the
stoves, and then our surprise is complete when the Colonel offers us a
cocktail. Cocktails, and the French trenches eight hundred meters away!
"A German cocktail," smiles the Colonel, as he pours out the white
_schnapps_, "not like the kind you have in America. One of my friends
had a bottle of them in München--Bronx cocktails," and the Colonel makes
a grimace. There are only two cordial glasses, but by passing them
around, we succeed in drinking the Colonel's health. As we take our
seats at the table I notice that while four of the chairs seem to belong
to the kitchen, the other two are richly tapestried. There must be a
château near here. The Colonel is sitting in one of them and Dunn in the
other. Leave it to Dunn to be lounging in the other tapestried chair.
Hauptmann Koller, who is opposite, is hacking off chunks of bread from a
round rye loaf. On my other side Reed is looking at the bottle of
_schnapps_ and wearing his unextinguishable smile.
A soldier brings a pot from the stove and the Colonel serves us. It is
an oxtail stew, canned of course, but smells appetizing. "The Colonel
hasn't any left for himself," exclaims Poole; but the Colonel is holding
up his hand. "There is plenty," he says, and the soldier brings another
steaming pot. Magically, tall, dark liter bottles make their appearance
and on the labels I see "_Hacker-Brau_."
Public-domain text, read in full here on John Shaqi.
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