Behind the Scenes in Warring GermanyFox, Edward Lyell
History
Behind the Scenes in Warring Germany
Fox, Edward Lyell
World War, 1914-1918 -- Personal narratives
"Tell them," he begs, "that we are not barbarians. I have a sister who
lives in Wyckoff, New York, and I'm afraid that by reading your
newspapers, she thinks that I've become a terrible ogre." Again the
Colonel is the easy smiling host.
The door opens; a private comes in and sits by the telephone. He moves
it down the mixing table quite close to us. "Is it time for the
concert?" asks the Colonel.
Hauptmann Koller nods. "At eight thirty. It's that now."
"_Gut!_" and the Colonel indicates us with a wave of his hand,
"Gentlemen, be my guests at our regular evening concert."
We look at each other blankly. The Colonel seems to have a huge joke up
his sleeve. He is bustling about the telephone like a man dressing a
Christmas tree. He takes up the instrument and holds it to his ear.
"Come," he says, beckoning me. I pick up the receiver and almost drop it
in my amazement. Somewhere an excellent pianist is playing the
_Valkerie_. In a spell, I listen to the music, each note retaining its
sweetness over the wire. The music stops; I hear a flutter of
handclapping.
"Where is it?" I gasp, coming over to the table.
"That comes from the headquarters in Houthem," explains Koller, while
the Colonel nods, smiling, as with a surprise well planned. "That was
General Major Clauss at the piano. He was playing under great
difficulties."
"The man with the wounded hand!" I exclaim. Poole takes up the 'phone.
"He is playing Tristam," whispers Poole, and outside I hear the growing
fury of the shells and the crash of the German field piece close by. The
Colonel is telling me how on Christmas Eve they played "_Heilige Nacht_"
for them, down in Houthem, and that while he was listening to the music
a heavy shell burst down in the trenches, killing eight of his men. But
I am not following half of what he says. Everything seems to be in a
daze. It is all too incredible. We have finished what seemed to be one
of the best savory dinners I have ever eaten. The supply of
golden-brown Münchener beer seems to be limitless. We are finishing with
coffee, cigarettes, cigars, and a cordial; and now a concert. And
outside the sky is hideous with war, and eight hundred meters away are
the French. And this is war.
Koller is at the 'phone now. "When General Clauss is through," I tell
him, "ask him to play something from Chopin." In a moment Koller nods
for me to come over. And I am listening to the opening bars--perhaps my
nerves are overstrained--but I hear a noise that sounds like a bullet
hitting a wire fence, and the music is still. Snatching up the 'phone
the orderly tries in vain for a connection and finally transfers it to
another wire. Perhaps, after all, I heard only a normal snapping of the
wire. Imagination plays strange tricks in this world of uncanny and
violent impressions.
Public-domain text, read in full here on John Shaqi.
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