Behind the Scenes in Warring GermanyFox, Edward Lyell
History
Behind the Scenes in Warring Germany
Fox, Edward Lyell
World War, 1914-1918 -- Personal narratives
For two days I had been in the vicinity of Lille with Ober-Lieutenant
Herrmann of the Great General Staff. Near Labasse I had seen the
trenches at night, but I wanted to see them by day; for at night the
soldiers are all keyed high; it is then that the hard fighting is done.
What did they do with themselves during the day? It was at Lille, the
fifth night after I had left Berlin, that I met five other American
correspondents, a Hollander and a Norwegian, who were in Hauptmann
Kliewer's party. After dinner in the Hotel de Europe, Ober-Lieutenant
Herrmann, who had gone with Hauptmann Kliewer to the Staff of the Second
Bavarian Army Corps, told me that from now on the two parties would
travel together until we reached Brussels. "In the morning," he said,
"we go to the trenches in front of Arras. You must be here in the lobby
ready to take the motor not later than six."
In the inky darkness of a clear, cold morning three army automobiles
left the Hotel de Europe and roared away through the streets of Lille. A
Second Army Corps officer whom Bob Dunn, the New York _Post's_
correspondent, was apologetically explaining as being a cousin of his,
rode in the first car. This officer, who had never traveled the road to
Arras before, was acting as our guide; soon we understood Dunn's
apologetic way, for after one challenge upon another came ringing out of
the night, and we had stopped to have our papers read in the lantern
light of sentries and patrols, Dunn's cousin lost the way. "I knew he
would," remarked Dunn. "No one related to me could go straight."
The officer tried again. He took us along the crumbling path of war,
along a road where under a dark centered half moon we saw in the silvery
graying light the lanes of abandoned trenches and rows of gaping shell
torn houses, while one by one the stars turned to tiny icicle tips, and
day slowly came on. I think after crossing the Ypres Canal at Douai,
that we followed every blind alley between there and Vitry, for turning
one corner after another, with each new row of poplars coloring clearer
against a brightening sky, we seemed to come no nearer to the boom of
the guns.
Public-domain text, read in full here on John Shaqi.
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