Behind the Scenes in Warring GermanyFox, Edward Lyell
History
Behind the Scenes in Warring Germany
Fox, Edward Lyell
World War, 1914-1918 -- Personal narratives
"Leave your overcoats here," he advised. "It's rather warm going up to
the trenches." Then he glanced at our feet and gave an approving nod.
"No pumps or gaiters, I see. That's good; you'll be up to your knees in
water," and as I walked up the road towards Arras, he told me that two
Italian journalists--any newspaper man is a journalist in Europe--had
visited the trenches at Arras. And the Captain laughed. "One wore a pair
of gray spats and the other had one of those artist ties, those black
fluffy things. One of our soldiers drew a sketch of them." When we had
gone about a hundred yards, we turned to the right, descending by an
abrupt runaway into a trench that dug in a plowed field, led away at
right angles from the road. More than a thousand meters from the French
trench, and with rifle fire yet to begin, and shielded by the very fact
that you walked in a narrow pit seven feet under ground, comparatively
less in danger than you had been in the motor from Mouchy le Preux on,
you nevertheless tingled with a strange exhilaration. Keeping one eye on
the top of the trench, prepared to duck, lest it suddenly became uniform
in height and expose your head to the open field, gazing the rest of the
time at the bottom of the pit, lest you slip in a hole and go sprawling
in the yellow liquid ooze, we followed the officers, slavishly imitating
their movements of progress. Then we came to another trench that made a
right angle with our own, advancing towards the firing line, parallel to
the road we had left as unsafe, exactly as in the approach trenches at
Labasse. But as we trudged on, splashing now and then through water to
our knees, we no longer imitated the officers. They walked as before,
unconcernedly and erect. We were going along ducking our backs, for
shrapnel was beginning to fly in a neighboring field, and I heard it
panging in the mud on all sides.
It was light now, although a fleecy white moon still hung in the sky,
and as it grew brighter, one after another, the batteries began the
forenoon cannonade, and as I heard the bursting shrapnel ever growing
more numerous, I guessed it was the same as at that other point on the
line where I had been two days before, where the French cannonade before
and after luncheon, always beginning at the same time. And then
directly above me I heard the disconcerting burst of shrapnel and I saw
the pretty billowing white clouds that the explosion always makes, and
knowing that to be directly under shrapnel is to be out of danger for
the little balls spray like the stream of a watering cart, I comfortably
watched the smoke until it drifted away, thinning like blown silk.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account