Motion picture actors and actresses; Motion pictures
I have been told by those who have worked with Miss Norma Talmadge on
the set that, in contrast to her sister Constance, who is exceedingly
even-tempered, she displays many of the characteristics popularly
associated with a great emotional actress. Gusts of impatience followed
immediately by the most radiant, sunshiny laughter; flurries of
annoyance; ripples of amusement--these are the manifestations of a
nature which, in the words of one admirer, is “as big and sweet as all
outdoors.” Thoroughly consistent with such a nature is Miss Talmadge’s
type of generosity. This functions more conspicuously through some
concrete human appeal than through official solicitation. Testimony to
this is offered by a letter from Joe Schenck to a friend of mine.
The letter, written by Schenck while he and Miss Talmadge were on a
recent visit to Germany, records how Norma was followed by a beggar
in the streets of Berlin. Old and emaciated and dirty, he fell on
his knees before the radiant young American and begged her for help.
Miss Talmadge thereupon emptied the entire contents of her purse into
his hands. “It was a nice little gift,” commented Miss Talmadge in
reporting the incident to her husband, “but it made me happy to do it,
for I never saw a human being so grateful as he was.”
“And how much did you happen to have in your bag?” questioned her
husband.
“Oh, it was all of a thousand marks,” answered she.
Her husband rocked with merriment. “And do you realize that you gave
him all of twenty-five cents?” he said.
Miss Talmadge, so Schenck wrote, was aghast at this disclosure of her
cramped style in benevolence. “And, pressed as she was for time,” he
concluded, “nothing would do but that she should go out early the next
morning and hunt the fellow she had wronged by her twenty-five-cent
donation. When she did find him--believe me, he got something real.”
From a being so swayed by the claim of the moment--a being, too, so
young and beautiful--you would predict perhaps a less stable domestic
situation. Mr. Schenck, one of the finest men I have ever known is some
years older than his wife and, in addition to this, he is what is known
as a practical type. Yet Miss Talmadge’s devotion to him is one of the
salients in her life. The evening when she could hardly wait to tell
him of her triumph over Clara Kimball Young is, indeed, indicative of
her whole attitude. Everything, both in pictures and out, is talked
over with Mr. Schenck, and her manner when she is with him reflects
always that deep content which an emotional nature feels often in
stability.
Public-domain text, read in full here on John Shaqi.
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