The north chapel aisle was originally used as three separate chapels until the divisions between them were removed. The two bays at the west were the #chapel of S. Anne#; the two next east of this formed the chapel of the Four Virgins, and the last bay was the small chapel of SS. Thomas and Edmund. In the first named of these there may still be seen, in the jambs, the capitals, and the arch-moulds of the north-western window, some of the colour decoration of which so much remained until the nineteenth century. The space in the north wall shows where the aumbry used to be. The small remnants of the division wall at the east are some slight indication of what the design of the arcading on this wall was before it was destroyed. In the next chapel, that of the #Four Virgins#, there is nothing to show where the aumbry or the piscina was. But on the north 'the position of the arcading on the east dividing wall remains. The #chapel of SS. Thomas and Edmund# has an arcade on the east wall similar to that in the chapel of S. Clement. The aumbry is on the north and the piscina on the south side of the position which the altar used to occupy. The #Rood-Screen# at the entrance to the choir from the nave was erected in 1889, and is a memorial of Archdeacon Walker. It was designed by Mr. T. Garner. At the point where the arms of the cross meet is a figure representing the "Agnus Dei," and at the extremities of the cross are carvings of the four-winged figures of the cherubim. The #Pulpit# was designed by Sir Gilbert Scott, and is a memorial of Dean Hook. It is very elaborately carved, and is made of Caen stone and Purbeck marble. The four figures are intended to represent Matthew, Mark, Luke, and John. The #Lectern# of brass was presented to the church as a memorial of Richard Owen, of Chichester, by his daughter. The #Font# under the south-western tower is a copy of an old one in the church at Shoreham. It was the gift of Bishop Durnford, as a memorial of his wife. The #Monuments in the Nave# have in many cases suffered from bad usage, and in most instances they do not now occupy their original places in the building.