Bell's Cathedrals: The Cathedral Church of Ely: A History and Description of the Building with a Short Account of the Monastery and of the SeeSweeting, W. D. (Walter Debenham)
History
Bell's Cathedrals: The Cathedral Church of Ely: A History and Description of the Building with a Short Account of the Monastery and of the See
Sweeting, W. D. (Walter Debenham)
Ely Cathedral
On each side of the lady-chapel are five large windows of four lights
each, with very beautiful tracery. Those on the north side have been
thoroughly restored within the last few years. At the same time the
cusps have been replaced in the large circles, of which two are over the
head of each window. Between the windows are buttresses, necessarily
large, to support the vast extent of the stone-groined roof. At the four
corners are double buttresses, with much larger pinnacles, and two
niches toward the top, the upper one shallow, but the lower deep enough
to hold a statue, and with a projecting canopy. The east end is less
decorated than the west. There was once, as it seems, some sculptured
figure or figures in front of the upper part of the window, no doubt
destroyed when the interior was mutilated.
[Illustration: ELEVATION OF ORIGINAL BAYS OF BISHOP NORTHWOLD'S
PRESBYTERY.]
"The #East End# of the cathedral itself (Bishop Hugh's work) is a
grand example of Early English."[12] Except for the windows of the
chapels of Bishops Alcock and West in the aisles, and that the Early
English lancets in the triforium range in the south aisle have been
removed and a plain wall substituted, this eastern front is almost
unaltered. It does not appear when this last alteration was made. In the
view in Bentham, dated 1767, are represented lancets glazed and blank,
exactly similar to those in the triforium on the north. The windows are
all lancets, without any cusping. Their grouping is specially effective.
In the centre, in the lowest stage, are three broad lancets of equal
height, divided by shafts, and with deep mouldings, and with two sets of
dogtooth all round. Below the string-course above are four deep
quatrefoils. In the next stage the lancets are five in number, the
central one being the tallest, while above the outer ones are trefoiled
niches; and there are two six-foils below the next string-course. The
upper stage has three lancets of equal height, which give light to the
space above the stone-groined roof, with a small trefoiled arch,
unglazed, and half of another on each side. In the gable are three large
sunk panels, two of six cusps, and one of eight. The whole is surmounted
by a large handsome cross, restored at the expense of Lady Mildred Hope.
The large buttresses on each side of the central group of windows have
four niches on each side, the three upper ones having bases to support
statues; the upper and lower of these have trefoiled heads, the two
others cinquefoiled heads. At the summit are sunk trefoils under the
gabled tops; and a little further to the west, on the south, the whole
is finished by an octangular turret with shallow arches and a pyramidal
top with crockets.[13] The buttresses at the corners of the aisles have
much loftier pyramidal heads. These have also crockets. The east end of
the triforium range on the north is particularly good. The east window
of Bishop Alcock's chapel, which was of course in existence long before
Public-domain text, read in full here on John Shaqi.
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