Portions of the original frame remain, and they show traces of gilding upon them. The picture has been varnished to preserve it, and, although hung in a wretched situation for light, it is worth more than passing attention. Christ is represented in the centre, throned on a rainbow, attended by angels, and having a globe and a cross below Him. His mantle is red, with a jewelled border. On either side of His head are emblems --on the left a lily, emblematic of mercy; and on the right a sword, emblematic of justice. The lily inclines towards the righteous, and the sword points towards the wicked. Below on the left are six apostles, but above these is an angel holding a T cross and the crown of thorns. To balance this, on the right is an angel with a whipping-post, a scourge, and a spear. Over these figures are scrolls, one on the left inscribed "Come, O you blessed ...", and on the right, "Go, O you cursed ..." In the centre, under the globe, is an angel holding an open book, "The boke of cosciens "--_i.e._ the book of conscience. On either side are angels blowing upon trumpets, from which extend scrolls inscribed, "Aryse, you dede. Come to your judgement"; and below this the Resurrection is depicted. An angel (in the centre) is scaring away a horned demon from the soul borne up by the angel. On the right the wicked are being carried off by fiends; on the left the righteous are being led away by angels bearing crosses. In the left-hand bottom corner are angels and inscriptions. "Before man lyfe and death. In all thy workes remebre thy last, and never wilt thou offend." In the top corner on the left is represented the New Jerusalem. The architecture is classic in character. [Illustration: SOUTH-EAST VIEW OF CATHEDRAL SHOWING WHISPERING GALLERY. _S. B. Bolas & Co., Photo]_ St. Peter and an angel are standing close to a gate into which the righteous are entering. A choir of angels with musical instruments are above. In the bottom corner on the right the mouth of hell is represented, into which the lost are being thrust by attendant demons. There is a grim figure inside a globe, possibly intended for the Prince of this world, seizing a soul by the hair. At the bottom are other fiends helping to torture the unhappy lost. [Illustration: TRIFORIUM OF THE CHOIR, LOOKING EAST. _Photochrom Co. Ltd., Photo.]_ ] Sir G. Scharf, in _Archaeologia_, vol. xxxvi., says that the picture is English, and is of great importance. He thinks it was painted during the latter years of the reign of Henry VIII. or during that of Edward VI., and points out that it is an epitome of the famous altar-piece at Dantzig, painted in 1467. It is remarkable that in this picture the Virgin and St. John the Baptist, who are usually associated in pictures with the Saviour, are altogether omitted.