On a pattern made up of sixteen tiles, four times repeated can be read, "_Ave Maria gra' ple' Dus tecum_" i.e. "_gratia plena Dominus tecum_." On others similarly designed, "_Domine Jhu (Jesu) miserere_." On others, "_Ave Maria gra' ple'_" and "_Dne Jhu miserere_." These tiles in square sets of sixteen and four respectively were placed alternately, and separated by plain dark bricks. On others again will be found "_Orate pro Aia Johis Hertlond (pro anima Johannis)_." Some too seem to have been transferred from Llanthony Priory to the south chapel. They are inscribed, "_Timetib' deu nihil deest_," i.e. "_Timentibus deum nihil deest_." There are others in the chapel, "_Letabor in mia--et sethera_," and "_Deo Gracias_." The monument to Sir John Powell (1713) on the north wall is not beautiful, though a good specimen of its time. It is impossible not to regret that it was ever allowed to be erected in the chapel. Powell was a judge of King's Bench, and is here represented in his gown, hood, mantle, and coif. Other monuments are those to Eliz: Williams, 1622 (the figure is raised on one elbow); to Margaret Clent, 1623, with a touching epitaph. On the floor, near the Williams monument is a small brass, concealed by matting, to Charles Sutton, an infant seven days old. The brass contains two Latin lines modelled on the lines of Ovid's "Tristia," and run: "Parve, nec invideo, sine me, puer, ibis ad astra, Parve, nec invideas, laetus ad astra sequar." Many of the slabs on the floor will repay perusal, most of them being well cut and fairly well preserved. In Brown Willis' "Survey of Gloucester" will be found a full record of all the tombstones which in his time (1727) were in this chapel, but have since been removed or re-used. Turning to the right on leaving the Lady Chapel, the north-east chapel, which is called #Abbot Boteler's Chapel#, is the next in order. It dates from 1437-1450. The reredos should be closely examined, as it retains many of its original features--viz. statuettes, traces of painting on the shields above, and a very good piscina. The tiles in the floor are in many cases excellent specimens, especially those with fish upon them. It seems a pity that these tiles should be doomed to disappear under the nails of sight-seers, who as a rule look at nothing but the effigy of Robert, Duke of Normandy, and go away satisfied when they have proved for themselves that the effigy is of wood.