Bell's Cathedrals: The Cathedral Church of Saint Albans: With an Account of the Fabric & a Short History of the AbbeyPerkins, Thomas, Rev.
History
Bell's Cathedrals: The Cathedral Church of Saint Albans: With an Account of the Fabric & a Short History of the Abbey
Perkins, Thomas, Rev.
St. Albans Cathedral
[Illustration: HOLY WATER STOUP.]
#North Aisle.#--At the west end of this aisle the beautiful though much
restored holy water stoup should be noticed. A semicircular arch crosses
this aisle, springing from the pier where the Early English and Norman
work join (see illustration, p. 47). The roof is of timber with only a
slight slope, built in 1860. The first four windows from the west are
new, inserted by Lord Grimthorpe in the new wall which he built here.
The other windows have new tracery, but the internal parts remain as
William of Trumpington left them. Some old glass (fifteenth century) is
to be seen in the eighth, ninth, and tenth windows of the aisle. The
font, a modern one, stands at the east end of this aisle. It took the
place in 1853 of a marble one, now in the workhouse chapel. There was
once a brazen one brought as spoil from Dunkeld in Scotland, together
with the lectern now in St. Stephen's Church; but this font disappeared
during the civil wars. The continuation of the screen across the north
aisle is due to Lord Grimthorpe. His object was to form a vestry out of
that part of the north aisle that lies along the north side of the choir
as far as the transept. On the south side he merely erected a glazed
wooden screen with a door, through which visitors pass to enter the
eastern part of the church.
[Illustration: NORTH AISLE OF NAVE.]
It may be asked, of what use could the vast nave be to a monastery like
that at St. Albans, which does not seem to have contemplated the
admission of the laity to its services? The monks' services were
chaunted in the choir: the people had the parish church of St. Andrew
for their use, in which, however, the priests of the Abbey officiated.
But we must remember that in mediaeval times, on Sundays and on other
great festivals, grand processions formed part of the ritual. The monks,
leaving the choir, perambulated the church. The general order of the
procession was probably as follows: the north arm of the transept, the
north aisle of the presbytery into the Saint's Chapel, thence back into
the aisle round the ambulatory or retro-choir, through the south
presbytery aisle into the south arm of the transept, through the Abbot's
door into the cloister, along the east, south, and west alleys back into
the church by the blocked-up door in the south wall, up the nave, and
through the two doors of the rood screen into the choir.
Public-domain text, read in full here on John Shaqi.
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