In the uppermost arcade the little touch of foliage that is worked on to the junction of the mullions (which are made up of four pear-shaped mouldings) illustrates the love of delicate things that is so characteristic of this architect. Below is a projecting double arcade, behind which, against the wall, is a third row of arches: the outer mouldings intersect and the abaci of the outer caps are finished off in a carefully restrained curl of foliage; those on the soffit are deeply undercut, by means of which a very black shadow is secured. All the capitals are carved with the stiff-leafed foliage; and in the spandrels are grotesque beasts, full of character. The string-course below is finished with dragons who bend round and swallow the end of the string, their tails (on the west side) twisting right along the moulding. It is significant of the free way in which the masons were employed, that the carving varies very much on the two sides. The grotesques in the spandrels above mentioned are finest on the east side, but the dragons of the string course are best on the west side, where their expressions, as they bite the moulding, are full of life and humour. On this western side, too, the foliage which fills the spandrels of the lowest arcade is at its best; it is indeed the purest and truest piece of decorative work in the whole cathedral. Each moulding in this beautiful porch, from the filleted ribs of the groins to the bands round the shafts, and the moulded edge of the stone bench, is most carefully thought out, and adapted to its position, in a way that every architect will appreciate. The double doorway which leads into the church has an unusual and most effective moulding on its jambs, very large and simple, with slight projections worked upon it: the inner moulding of the enclosing arch, however, is a boldly projecting zig-zag, the supporting capitals of which have two figures, one in a cope, the other a bishop in a very pointed chasuble. The central pillar is of much later date. Above is a square recess filled with later masonry, where perhaps a figure was once inserted. Most happily, the North Porch has been spared from the restorer's hand. It is a unique and most beautiful example of early work; any restoration of it would practically destroy it, and would be an unpardonable crime. The hungry eye of the modern vandal is sure to seize on this piece of virgin work, sooner or later; for its very purity will tempt him. We only hope that when that day comes the Chapter will be faithful to their trust.