Bell's Cathedrals: The Cathedral Church of York: A Description of Its Fabric and A Brief History of the Archi-Episcopal SeeClutton-Brock, A. (Arthur)
History
Bell's Cathedrals: The Cathedral Church of York: A Description of Its Fabric and A Brief History of the Archi-Episcopal See
Clutton-Brock, A. (Arthur)
York Minster
Their bays are planned on wholly different proportions to those of the
nave and choir. There every bay is divided into two main divisions, and
the main arch is nearly half of the whole. Here the divisions are
three--a main arch, a very large triforium, and a smaller clerestory.
The ornamental details are very rich and bold, but the design, taken as
a whole, is not altogether excellent. Professor Freeman says bluntly
that "the feeble clerestory and broad and sprawling triforium are
unsatisfactory." This is true enough, but the whole effect is far better
than might be expected. The great width of the transepts in proportion
to their length, and the great size of the lantern, coupled with the
fact that they are not vaulted, makes one apt to forget that they are
divided into bays at all, and to regard the whole as a gigantic hall
divided into three storeys and magnificently decorated.
The plan of the bays, like that of the decorated part of the choir at
Ely and the nave of Lichfield, is probably a reminiscence of Norman
proportions. It is certainly better suited to the bold outlines and
masses of the Norman period.
Here, as in the nave, the main piers are rather thin. The triforium
appears to be "sprawling," because it consists of a single great arch in
each bay, sub-divided into four smaller ones. The clerestory is small
rather than feeble. Its five lancets, though not large, are boldly
decorated with shafts, carvings, and mouldings.
The chief drawback to the design lies in the exceeding prominence of the
triforium, owing to which the eye is drawn to the middle storey, rather
than led up from the floor to the roof. And as this middle storey
consists of a single bold arch in each bay, it has not the merit of
horizontal continuity, found, for example, in the triforium at Beverley,
and does not lead the eye, once directed to it, from bay to bay.
Like the nave, therefore, though for very different reasons, the
transept should be examined bay by bay if the beauties of plan and of
detail are to be appreciated, and these beauties, at least those of
detail, are abundant.
There are some differences of detail between the east and west sides of
the south transept, and also between the south and north transepts. The
east and west sides of the north transept are practically identical,
except for the fact that a Decorated pillar without Purbeck marble
shafts has replaced an original Early English pillar on the west side of
the north transept. This was probably made necessary by the height of
the tower.
The differences between the east and west sides of the south transept
are as follow:--
The windows in the southern bay of the west aisle are blank. They are
pierced on the eastern aisle.
The vaulting ribs of the western aisle are plain. They are elaborately
moulded in the eastern aisle.
The arcade in the eastern aisle is shorter than in the western, and does
not reach to the ground.
Public-domain text, read in full here on John Shaqi.
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