We shall consider this phase of Croce's work from two distinct points of view--as a new individual experience, and as a stage in the development of his philosophy. For the first of them, we shall again leave the word to Croce himself: "That intercourse with the literature of Marxism, and the eagerness with which for some time I followed the socialistic press of Germany and Italy, stirred my whole being, and for the first time awakened in me a feeling of political enthusiasm, yielding a strange taste of newness to me: I was like a man who having fallen in love for the first time when no longer young, should observe in himself the mysterious process of the new passion. At that fire I burnt also my abstract moralism, and I learnt that the course of history has a right to drag and to crush the individual. As I had not been disposed in my family circle to any fanaticism, and not even to a liking for the current and conventional liberalism of Italian politics ... it seemed to me to breathe faith and hope in the vision of the rebirth of mankind redeemed by labour and in labour."[1] This political enthusiasm did not last very long: it disappeared when that which was Croce's true nature, not practical but essentially theoretical, reasserted itself, by reducing this new experience into new conceptual forms; but without it, the whole of his philosophy of the practical activity would forever have been like a theory of vision in the mind of a blind man, or a theory of love in that of a keeper of the harem. Art, thought, mortality, had already appeared to him as aspects of his own life; to these, a new element was added now, not as a mere object of thought, but as a passionate and concrete experience.