Berlin and Sans-Souci; Or, Frederick the Great and His FriendsMühlbach, L. (Luise)
History
Berlin and Sans-Souci; Or, Frederick the Great and His Friends
Mühlbach, L. (Luise)
Frederick II, King of Prussia, 1712-1786 -- Fiction; Prussia (Germany) -- History -- Frederick II, 1740-1786 -- Fiction
Princess Ulrica leaned comfortably back in her arm-chair, and gave
her attention to a play of Voltaire, which was now being performed.
This representation took place in the small theatre in the royal
palace. There was no public theatre in Berlin, and the king justly
pronounced the large opera-house unsuited to declamation. Frederick
generally gave his undivided attention to the play, but this evening
he was restless and impatient, and he accorded less applause to this
piquant and witty drama of his favorite author than he was wont to
do. The king was impatient, because the king was waiting. He had so
far restrained all outward expression of his impatient curiosity;
the French play had not commenced one moment earlier than usual.
Frederick had, according to custom, gone behind the scenes, to say a
few friendly and encouraging words to the performers, to call their
attention to his favorite passages, and exhort them to be truly
eloquent in their recitations. And now the king waited; he felt
feverishly impatient to see and judge for himself this capricious
beauty, this world-renowned artiste, this Signora Barbarina, whose
rare loveliness and grace enchanted and bewildered all who looked
upon her.
At length the curtain fell. In a few moments he would see the
Barbarina dance her celebrated solo. A breathless stillness reigned
throughout the assembly; every eye was fixed upon the curtain. The
bell sounded, the curtain flew up, and a lovely landscape met the
eye: in the background a village church, rose-bushes in rich bloom,
and shady trees on every side; the declining sun gilded the summit
of the mountain, against the base of which the little village
nestled. The distant sound of the evening bell was calling the
simple cottagers to "Ave Maria." It was an enchanting picture of
innocence and peace; in striking contrast to this courtly
assemblage, glittering with gems and starry orders--a startling
opposite to that sweet, pure idyl. And now this select circle seemed
agitated as by an electric shock. There, upon the stage, floated the
Signora Barbarina.
The king raised himself involuntarily a little higher in his arm-
chair, in order to examine the signora more closely; he leaned back,
however, ashamed of his impatience, and a light cloud was on his
brow; he felt himself oppressed and overcome by this magical beauty.
He who had looked death in the face without emotion, who had seen
the deadly cannon-balls falling thickly around him without a
trembling of the eyelids, now felt a presentiment of danger, and
shrank from it.
Public-domain text, read in full here on John Shaqi.
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