Austria -- Fiction; Man-woman relationships -- Fiction; Women -- Fiction
The music had ceased; Bertha felt herself thrust forward towards the
exit; she wanted to find the staircase, but it was at a considerable
distance from her. Indeed, it was just as well that it was so ... no, she
would not have dared to do it, to put herself forward, to wait for
him--what would he have thought of her? He certainly would not have liked
it! No, she would disappear with the crowd, and would tell him in the
evening that she had heard him play. She was now positively afraid of
being observed by him. She stood at the entrance, walked down the steps,
and went past the carriage, just as the old lady and her maid were
getting into it. Bertha could not help smiling when she called to mind in
what a state of apprehension the sight of that carriage had thrown her,
and it seemed to her that her suspicion in regard to the carriage having
been removed, all the others must necessarily flicker out! She felt as
though she had passed through an extraordinary adventure and was standing
now on the brink of an absolutely new existence. For the first time it
seemed to her to have a meaning; everything else had been but a fiction
of the imagination and became as nothing in comparison with the
happiness which was streaming through her pulses, while she slowly
sauntered from the church through the streets of the suburbs towards her
hotel. It was not until she had nearly reached her destination that she
noticed that she had gone the whole way as though lost in a dream and
could scarcely remember which way she had taken and whether she had met
any people or not.
As she was taking the key of her room the porter handed her a note and a
bouquet of violets and lilac blossoms.... Oh, why had not she had a
similar idea and sent Emil some flowers? But what could he have to write
to her about? With a slight thrill of fear at her heart, she opened the
letter and read:
"DEAREST,
"I must thank you once again for that delightful evening. To-day,
unfortunately, it is impossible for me to see you. Don't be angry with
me, my dear Bertha, and don't forget to let me know in good time on the
next occasion when you come to Vienna."
Ever your own,
"EMIL."
She went, she ran up the stairs, into her own room.... Why was he
unable to see her that day? Why did he not at least tell her the reason?
But then, after all, what did she know of his various obligations of an
artistic and social nature?... It would certainly have been going too
much into detail, and it would have appeared like an evasion if he had,
at full length, given his reasons for putting her off. But in spite of
that.... And then, why did he say: the next occasion when you came to
Vienna?... Had she not told him that she would be remaining there a
few days longer? He had forgotten that--he must have forgotten it! And
immediately she sat down and wrote:
"MY DEAREST EMIL,
Public-domain text, read in full here on John Shaqi.
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