It was always a great pleasure to Hugh to explore an unfamiliar
countryside, and the same pleasure was derivable to a certain extent
from railway travelling, though the vignettes that one saw from the
windows of a swiftly-rolling train were so transitory and so numerous,
that one had soon the same sense of fatigue that comes from turning
over a book of photographs, or from visiting a picture-gallery. If one
explored the country in a leisurely manner it was less fatiguing,
because one could taste the savour of a sight at one's ease. Hugh came
to the conclusion, as life advanced, that he preferred a landscape on
which humanity had set its mark to a landscape of a pure, natural
wildness, though that indeed had a beauty of its own, a more solemn
beauty, though not so near to the heart. But the great red-brick
house, peering through its sun-blinds, among the flower-beds, with a
rookery behind in the tall trees of a grove, and the cupola of
stable-buildings among the shrubberies, that one saw in a flash as the
train emerged from the low cutting; or the tiled roofs of houses, with
an old mouldering church-tower peering out above them, in a gap between
green downs; or a quiet manor-house among pastures, seen at the close
of day when the shadows began to lengthen, gave him a sense of the long
succession of peaceable lives--the boy returning from school to the
familiar home, or the old squire, after a life of pleasant activities,
walking among the well-known fields, and knowing that he must soon make
haste to begone and leave his place for others. There was a sense of
romance and pathos about it all; and the scenes thus unfolded suddenly
before his eyes were dear to him because they had been dear to others,
and stood for so much old tenderness and anxious love. There was
always, too, a feeling in his mind of how easy, how sweet and tranquil,
life would be under such conditions. Seen from outside, certain lives,
lived in beautiful surroundings and tinged with seemly traditions,
seemed to have a romantic quality, even in their sufferings and
sorrows. No amount of experience, no accumulation of the certainty
that life was interwoven with a sordid and dreary fibre, seemed ever to
dispel this illusion, just as sorrows and miseries depicted in a book
or in a drama appeared to have a romance about them which, seen from
inside, they lacked. There were in Hugh's own memory a few places and
a few houses, where by some happy fortune the hours had always been
touched with this poetical quality, and into which no touch of
dreariness had ever entered. Something of the same romance lingered
for Hugh over certain of the colleges at Cambridge. To wander through
their courts, to read the mysterious names inscribed over unknown
doors, to think of the long succession of inmates, grave or
light-hearted, that lived within, either for a happy space of youth, or
through long quiet years; this never ceased to communicate to him a
certain thrill of emotion.
Public-domain text, read in full here on John Shaqi.
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