The other title-page is seen in the facsimile. It is printed with a woodcut border which represents above, the Evangelists Matthew and Mark, the Adonai, Lamb, and Dove in cartouches, while below are found St. Luke and St. John, the Lamb on the altar, and the cherub's head, Barker's ornament. The tents and shields of the Twelve Tribes are represented in twelve round panels on the left side, and the Twelve Apostles, similarly framed, on the right. The signatures RL [monogram reverse-R&L] and CS [monogram over semi-circle] are seen at the bottom of the title panel. This border, like the great primer black letter of the text, had been previously used by Christopher Barker, in an edition of the "Bishops Bible," published in 1585, and by Robert in 1602; afterward, in an edition of the New Testament (Royal Version) published in 1617, and also in other works. While more finished in execution, the design is similar in idea to one often used by Barker, notably in a Bible printed in 1593, and bears some resemblance to a border found in Plantin's "Great Bible." The copper-plate title is sometimes found with what is called the first issue of the work, sometimes with the second, and sometimes with the editions of 1613 and 1617. It has been suggested that it was intended to be used with the woodcut border always found with the New Testament in both issues, and usually ascribed to the second, although "there is no ground for supposing that it was always issued with it." That Boel took the motive of the tents and shields of the Tribes for a minor detail in his border, is a point worthy of notice because this fact might, with some reason, be used to prove that inasmuch as his engraving was made some time after the unknown wood-engraver's border, it could hardly have appeared with the first issue. We quote the following from W. I. Loftie's _A Century of Bibles_: