Bibliographic Notes on One Hundred Books Famous in English LiteratureKent, Henry Watson
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Bibliographic Notes on One Hundred Books Famous in English Literature
Kent, Henry Watson
Best books; English literature -- First editions -- Bibliography; English literature -- History and criticism
It seems reasonable to suppose, in view of the fact that he
was the seller of the second volume also, that Meighen became
connected with Stansby after the first copies of the first
volume were published. The appearance of his name in the
imprint of Volume I. would mark the beginning of such
a partnership; and this partnership would naturally be
continuous, and not interrupted, as it would appear to be
if copies bearing Stansby's name alone came after the
Stansby-Meighen imprint, and before the 1640 volume.
"Guliel Hole fecit" is signed to the elaborate title-page
engraved on copper. This monumental structure, with
its representations of Tragicom[oe]dia, Satyr, Pastor,
Trag[oe]dia, Com[oe]dia, Theatrum, Plaustrum, and Visorium,
shows such a considerable knowledge of Roman antiquities that
we are inclined to think that Jonson himself may have had
something to do with the making of it. A similar thought
arises in looking at the pages engraved by Hole for Chapman's
Homer, and one would like to know how far that author, steeped
in his Classics, influenced the engraver. It may be a fair
speculation, how far Jonson and Chapman may have influenced
the development of book illustration.
It is a point worthy of notice that the execution of the
figures in this engraving is decidedly inferior to that of the
Chapman title.
Gerard Honthorst's portrait of Jonson, engraved by Robert
Vaughan, whose frontispieces and portraits are found in many
books of the period, is inserted in this copy. The engraving
was probably issued, in its first state, as a separate print.
In a second state it was prefixed to the second edition of
the first volume, _Printed by Richard Biſhop, and are to be
ſold by Andrew Crooke_, in 1640.
The famous lines,
"O could there be an art found out that might
Produce his shape soe lively as to Write,"
follow eight lines of Latin, beneath the oval frame.
Folio.
COLLATION: _Portrait and title-page, 2 leaves; A-Qqqq4, in sixes_.
ROBERT BURTON
(1577-1640)
18. The | Anatomy Of | Melancholy, | [Twelve lines]. By | Democritus
Iunior. | With a Satyricall Preface, conducing to | the following
Diſcourſe. | [Quotation] At Oxford, | Printed by Iohn Lichfield
and Iames | Short, for Henry Cripps. | Anno Dom. 1621.
Public-domain text, read in full here on John Shaqi.
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